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European Porcelain in The Metropolitan Museum of Art
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated ...
Wedgwood
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Newsletter
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The Museum Year
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The Robert Lehman Collection, Volume XV: European and Asian Decorative Arts
This volume catalogues more than 400 decorative objects in the Robert Lehman Collection at The Metropolitan Museum of Art, including painted enamels, snuffboxes, porcelain, pottery, ceramics, jewellery, furniture, cast metal, and textiles from throughout Europe and Asia, with the majority dating from the late seventh century to the 20th century.
Bulletin
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M Bulletin
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Russian Enamels
In the 11th century, Kiev closely adhered to the Byzantine traditions in producing the first Russian enamels. Progress was interrupted by the Mongol invasions in the 13th century. There was, however, a revival of the arts in the 16th century, and during the 17th century the Kremlin Armory in Moscow and various northern trading centers emerged as major bases for the manufacture of liturgical and secular enamels, while the program of westernization initiated by Peter the Great in the early 18th century attracted foreign artisans who brought their own techniques to the capital, St Petersburg. The 19th century closed with a dichotomy of styles: classicizing, courtly traditions flourished in St Petersburg, as demonstrated in the art of pre-eminent master Carl Faberge. However, Moscow served as the heart of the Russian Revival movement, and the vibrantly colored and exotic-looking revival enamels are also prized by collectors today.
Annual Report
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