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Preliminary material -- GENERAL DESCRIPTION OF THE BUILDING AND PAINTINGS -- THE ICONOGRAPHY AND THE DATING OF THE PAINTINGS -- THE RELIGIOUS INTERPRETATION OF THE MITHRAEUM AND ITS PAINTINGS -- INDEX -- LIST OF PLATES -- PLATE.
Beginning in the jungles of Southeast Asia, trekking through the Middle East, traversing the Pacific, Lawler discovers the secrets behind the chicken's transformation from a shy, wild bird into an animal of astonishing versatility, capable of serving our species' changing needs. Across the ages, it has been an all-purpose medicine, sex symbol, gambling aid, inspiration for bravery, and of course, the star of the world's most famous joke. Only recently has it become humanity's most important single source of protein. Most surprisingly, the chicken--more than the horse, cow , or dog-- has been a remarkable constant in the sperad of civilization across the globe"--Page 4 of cover
Places and spaces are key factors in how individuals and groups construct their identities. Identity theories have emphasised that the construction of an identity does not follow abstract and universal processes but is also deeply rooted in specific historical, cultural, social and material environments. The essays in this volume explore how various groups in Late Antiquity rooted their identity in special places that were imbued with meanings derived from history and tradition. In Part I, essays explore the tension between the Classical heritage in public, especially urban spaces, in the form of ancient artwork and civic celebrations and the Church's appropriation of that space through doct...
This book examines the way that Paul presents himself as a guide into mysteries, a “mystagogue,” in 1–2 Corinthians. By describing himself as a type of mystagogue for the community, Paul was following a precedent in both Jewish and non-Jewish sources for invoking mystagogic language to engage in polemics with a rival. In opposition to the precedent, however, Paul understands the mystagogue to be a bi-partite figure—comprised of both foolishness and wisdom simultaneously. C. Andrew Ballard argues that ancient mystagogues were often described in two disparate ways: figures of power, and figures of weakness and foolishness. Paul synthesizes both aspects of the mystagogue in his self-pre...
Preliminary material /Vivienne J. Walters -- THE SITES OF MITHRAIC SANCTUARIES /Vivienne J. Walters -- THE DEDICANTS OF MITHRAIC MONUMENTS /Vivienne J. Walters -- MITHRAIC REPRESENTATIONS ON POTTERY /Vivienne J. Walters -- MITHRAS AND THE GODS OF GAUL /Vivienne J. Walters -- MITHRAIC INSCRIPTIONS AND MONUMENTS /Vivienne J. Walters -- REJECTED MONUMENTS /Vivienne J. Walters -- MITHRAIC REPRESENTATIONS ON POTTERY /Vivienne J. Walters -- ADDENDUM /Vivienne J. Walters -- INDEXES /Vivienne J. Walters -- LIST OF PLATES /Vivienne J. Walters -- PLATES I-XL /Vivienne J. Walters.
What was the family like for the first Christians? Informed by archaeological work and illustrated by figures, this work is a remarkable window into the past, one that both informs and illuminates our current condition. The Family, Culture, and Religion series offers informed and responsible analyses of the state of the American family from a religious perspective and provides practical assistance for the family's revitalization.
Religious scholars take up various questions relating to the relationship between orality and literacy in the context of colonized people in antiquity, and explore the role of orality in relation to this hegemony. Among the topics are theoretical and methodological foundations, Mithra's cult as an example of religious colonialism in Roman times, th
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This study deals with the representation of Christ's Healing Miracles in early Christian sepulchral art from Provence and Northern Italy. It sees the imagery through the contemporary exegetical writings and tries thus to uncover new strata of symbolic significance in early Christian art. The aim of the work is to reveal the complex theological concepts reflected in the relief decoration of a small number of late fourth-century sarcophagi and to cast thus light upon the spiritual climate of the sphere the persons who commissioned them were part of. It also links the narrative structure of representations of medical treatment and miracle scenes in ancient art with the Christian images and establishes new formal and iconographic connexions.
"[White's] judicious blend of archaeological remains, textual evidence, religious philosophies, and Roman social history... An enthusiastic, well-written presentation measured with erudition and sound research."-- Classical World.