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Mirage and Camouflage
This study explores the tensions and contradictions in the themes and style of L'Allegria. It establishes links between Ungaretti and the French Symbolist poets, and reexamines the collection's affinity with the work of De Chirico, Cubism, Futurism and Surrealism. Offering ground-breaking views, particularly on the war poems, it demonstrates how Ungaretti used the obscure nature of Hermetic language to express his proto-Fascist and Nietzschean sympathies, thus destroying the myth of Ungaretti as a 'man of peace' searching for a religious answer to the problems of existence.
Shakespeare's Sonnet 116: Blemished love?
Academic Paper from the year 2022 in the subject English Language and Literature Studies - Literature, grade: A star, Royal Holloway, University of London (School of Modern Languages, Literatures and Cultures), language: English, abstract: The definition of love provided by Sonnet 116 makes this poem one of the most cited and anthologized in the entire poetic canon. Shakespeare presents the reader with his conception of love in its most ideal form. The main idea put forth in 116 is that ideal love is constant and permanent; that it never alters, either with changing circumstances (first quatrain), difficulties (second quatrain) or with time (third quatrain). The final rhyming couplet makes a...
Glimpses of Lacan and Barthes in Two Poems by Gillian Clarke
Essay from the year 2019 in the subject English Language and Literature Studies - Literature, language: English, abstract: Language is not a very predominant theme in the work of the Welsh poet and playwright, Gillian Clarke (born 1937) nor has she, to my knowledge, ever expressed an interest in linguistic theories and their application to literature. Her work tends to be rather autobiographical in style, recounting experiences involving her own family, children and local people. However, occasionally she touches upon the subject of education and of writing poetry (as for example in 'Lunchtime lecture' and 'Pipistrelle', respectively) and it is by way of these themes that issues concerning l...
Niccolò Paganini. A Re-evaluation of his Legend
Scientific Essay from the year 2017 in the subject Musicology - Miscellaneous, grade: 1st class, Royal Holloway, University of London (University of London), course: Research, language: English, abstract: This study constitutes a unique and dedicated attempt to address the extent to which Paganini’s character has been misrepresented to date. Making detailed reference to biographies and previous writings on Paganini, it dismantles the myth-making surrounding the violinist's legendary status, and overturns the common perceptions of Paganini as a gambler, compulsive womanizer, murderer, wrecker of relationships, miser, vulgarian and heathen. It attempts to depict the ‘real’ Paganini, and demonstrates that there is little, if any, justification for the excessive calumny to which the renowned violinist was subjected in his lifetime and beyond.
Sweet Thunder
This book offers a detailed examination of the literary influences behind the experimental music of five twentieth-century Italian composers: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni and Armando Gentilucci.
Boccaccio and the Book
As a new digital era increasingly impacts on the 'age of print', we are ever more conscious of the way in which information is packaged and received. The influence of the material form on the reading process was no less important during the gradual shift from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural, and economic profile of Boccaccio's readership and the scribes and printers who laboured to reproduce three of his works: the Teseida , Decameron , and De mulieribus claris . Rhiannon Daniels is a British Academy Postdoctoral Fellow in the Department of Italian at the University of Leeds.
Imagining Terrorism
No other European country experienced the disruption of political and everyday life suffered by Italy in the so-called 'years of lead' (1969-c.1983), when there were more than 12,000 incidents of terrorist violence. This experience affected all aspects of Italian cultural life, shaping political, judicial and everyday language as well as artistic representation of every kind. In this innovative and broad-ranging study, experts from the fields of philosophy, history, media, law, cinema, theatre and literary studies trace how the experience and legacies of terrorism have determined the form and content of Italian cultural production and shaped the country's way of thinking about such events?
Sweet Thunder
"Italian music of the 1960s is one of the most unjustly neglected areas in the arena of twentieth-century classical music. This volume pays tribute to the astounding complexity of the music and libretti of five vocal compositions by leading experimental composers of the decade: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni, and Armando Gentilucci. It highlights how the 'difficult' and unconventional methods of composition employed by these artists - dodecaphony, total serialism, Webernian minimalist techniques, aleatory and electronic music - displayed a refusal to compete with the market-place values of Italy's new capitalist society. At the same time, the libretti's collage arrangement of a plethora of European and Oriental literary sources dating from the sixteenth century BC onwards, reflected the contemporary Neo-avant-garde rejection of conventional literary practice, and their preference for 'organised disorder', in Umberto Eco's phrase."
Dante's New Life of the Book
Dante's New Life of the Book examines Dante's Vita nuova through its transformations in manuscripts, printed books, translations, and adaptations. Eisner investigates how these different material manifestations participate in the work, drawing attention to its distinctive elements.
Twentieth-century Italian Poetry
Offers a selection of Italian poems, with notes and commentary in English, and critical essays on individual authors and trends. This volume covers the period from the early years of the twentieth century up to the 1970s, and focuses on the work of poets such as Ungaretti and Saba. It is intended for those with a good working knowledge of Italian.
