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Vladimir Propp and the Universal Folktale
Dr. Peter Gilet takes Vladimir Propp's 31-part structure of the European folktale and suggests a reduction to five moves. This allows Propp's structure to be applied successfully to stories from Africa, Eurasia, and the Americas, thus providing a widespread tale type, perhaps the main tale type in oral literature. Dr. Gilet also suggests that this type has strong meaningful similarities with shamanic and puberty initiation rituals in pre-industrial societies. Just how meaningful will be the object of future research.
Morphology of the Folk Tale
This seminal work by the renowned Russian folklorist presents his groundbreaking structural analysis of classic fairytales and their genres. One of the most influential works of 20th century literary criticism, Vladimir Propp’s Morphology of the Folk Tale is essential reading for anyone interested in examining the structural characteristics of fairytales. Since it first appeared in English in 1958, this groundbreaking study has had a major impact on the work of folklorists, linguists, anthropologists, and literary critics. “Propp’s work is seminal…[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially those structural characteristics which are common to many entries coming from different cultures.”—Choice
Vladimir Propp
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The Russian Folktale by Vladimir Yakovlevich Propp
Vladimir Propp is the Russian folklore specialist most widely known outside Russia thanks to the impact of his 1928 book Morphology of the Folktale-but Morphology is only the first of Propp's contributions to scholarship. This volume translates into English for the first time his book The Russian Folktale, which was based on a seminar on Russian folktales that Propp taught at Leningrad State University late in his life. Edited and translated by Sibelan Forrester, this English edition contains Propp's own text and is supplemented by notes from his students. The Russian Folktale begins with Propp's description of the folktale's aesthetic qualities and the history of the term; the history of fo...
Anti-Propp
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On the Comic and Laughter
An extensive investigation of the forms and functions of the comic, this lively and engaging English critical edition will be welcomed by those interested in laughter, comedy, folklore, Russian literature, and specific authors such as Gogol, Pushkin, Chekhov, Rabelais, Molière, and Shakespeare. The direct, humorous, and provocative style of this work, which tackles the subject of humour with a vast array of vivid examples encountered on every page, will certainly appeal to the contemporary reader. Vladimir Propp takes various forms of laughter in literature and real life and addresses questions such as the comic of similarity, the comic of difference, parody, duping, incongruity, lying, ritual laughter, and carnival laughter. The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.
Propp, Vladimir
Vladimir Propp (1895-1970) was born into a German-speaking family in Saint Petersburg, Russia, and is best known for his structural analysis of Russian folktales, which was first published in 1928 in his first book, Morfologjia skaski (translated as Morphology of the Folktale in 1958 and then again in 1968). His work on identifying the key components of narrative greatly impacted writers, linguists, and literary scholars. This entry begins with an overview of Propp's professional biography, including a look at the early study of plot construction. The next two sections examine Propp's concepts of the plot function and character network. The entry concludes by exploring some of the critiques of Propp's work, demonstrating in the process how these critiques may be resolved in a new theory ...
