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Moscow 2042
The year is 1982, just two years before that made famous by Orwell. An exiled Soviet writer discovers that a German travel agency is booking flights through a time warp to a variety of tempting sites and dates in the future. Moscow? The year 2042? How can he resist? Afterword by the Author. Translated by Richard Lourie.
A Language for the Soul
This volume offers Christian spiritual instructors a language for the soul uncovered from the storehouses of Christianity’s ancient living spiritual tradition. That language describes the deep soul movements that unfold in the interior life of believers in response to the Divine invitation. It presents an accessible language of the soul for use in today’s professional, educational, ministerial, and everyday life situations. The end product is an experiential dictionary comprised of sixty word-concepts, which name and explore the inward human reactions to the whispering of God’s Spirit. Those reactions result from inward desires that lead to the embrace of faith, the quest for consecrat...
Placar Magazine
PLACAR: a maior revista brasileira de futebol. Notícias, perfis, entrevistas, fotos exclusivas.
A Gringo in Peru
A Gringo in Peru-A Story of Compassion in Action is the true account of one man's journey from his American life, to foil a murder contract, and into the Andean mountains of Peru where he created a project for poor children and discovered what true wealth really was. The profound changes in his own life, as his project for the children developed, gave him a depth of compassion and a view of what is possible when the impossible is attempted. This is a must read for anyone who has ever faced extraordinary challenges and who wanted to make the world a better place.
Into That Silent Sea
A history of early space flight focuses on the careers of both American astronauts and Soviet cosmonauts and includes coverage of other persons who worked in support roles.
Receiver, Bearer, and Giver of God’s Spirit
What difference does the Spirit make in the life of Jesus and in our lives? Answering that question without doing away with the divine dignity of Christ has been a challenge in the distant and recent past. But this need not be the case. The current work is a contribution to the growing field of Spirit Christology, which seeks to enrich the classic Logos Christology of the ecumenical Councils with a Spirit-oriented trajectory. Sanchez tests the productivity of a Spirit Christology as a theological lens for assessing the main events of Jesus' life and mission, accounts of the atonement, the significance of the incarnation, the concepts of person and relation, and models of the Trinity. Seeing ...
For Him Who Has Eyes to See
Too many Christians are afraid of beauty. This fear disconnects these Christians from their larger culture, a culture that is increasingly visual, increasingly aware of the presence and power of images, and more commonly fascinated by the power of beauty and form. This historical-theological overview presents the thought of ten theologians and one philosopher in an attempt to give Christians helpful vocabulary concerning beauty and aesthetics. It is time to use beauty and aesthetics for the mission of Christ! And yet rather than simply parrot the larger post-Christian culture, Christians and churches need to employ beauty and aesthetics in a manner that echoes God's own revelation: creation and redemption through Jesus Christ. We need to develop a sensitivity that can perceive beauties ignored. We need theological framing that both respects the glory of God's handiwork and keeps it from becoming idolatrous. We need to live with wonder for the bounty that routinely surrounds us. In short, we need eyes to see.
Three Sisters
The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.
