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Dystopian Fiction East and West
"Erika Gottlieb explores a selection of about thirty works in the dystopian genre from East and Central Europe between 1920 and 1991 in the USSR and between 1948 and 1989 in Poland, Hungary, and Czechoslovakia.
The Tragedy of the Worker
Facing irreversible climate change, the planet is en route to apocalypse To understand the scale of what faces us and how it ramifies through every corner of our lives is to marvel at our inaction. Why aren’t we holding emergency meetings in every city, town and village every week? What is to be done to create a planet where a communist horizon offers a new dawn to replace our planetary twilight? What does it mean to be a communist after we have hit a climate tipping point? The Tragedy of the Worker is a brilliant, stringently argued pamphlet reflecting on capitalism’s death drive, the left’s complicated entanglements with fossil fuels, and the rising tide of fascism. In response, the authors propose Salvage Communism, a programme of restoration and reparation that must precede any luxury communism. They set out a new way to think about the Anthropocene. The Tragedy of the Worker demands an alternative future—the Proletarocene—one capable of repairing the ravages of capitalism and restoring the world.
Conscience, Dissent and Reform in Soviet Russia
Embracing the political, intellectual, social and cultural history of Soviet Russia, this book provides a useful perspective of Putin’s Russia. Focusing on the ethics in Soviet Russia, it explores the history of moral thinking amongst dissidents, and examines the ethical assumptions of the perestroika era.
The Russian Revolutionary Novel
Professor Freeborn's book is an attempt to identify and define the evolution of a particular kind of novel in Russian and Soviet literature: the revolutionary novel. This genre is a uniquely Russian phenomenon and one that is of central importance in Russian literature. The study begins with a consideration of Turgenev's masterpiece Fathers and Children and traces the evolution of the revolutionary novel through to its most important development a century later in Pasternak's Doctor Zhivago and the emergence of a dissident literature in the Soviet Union. Professor Freeborn examines the particular phases of the genre's development, and in particular the development after 1917: the early ficti...
The Bloody White Baron
Roman Ungern von Sternberg was a Baltic aristocrat, a violent, headstrong youth posted to the wilds of Siberia and Mongolia before the First World War. After the Bolshevik Revolution, the Baron - now in command of a lethally effective rabble of cavalrymen - conquered Mongolia, the last time in history a country was seized by an army mounted on horses. He was a Kurtz-like figure, slaughtering everyone he suspected of irreligion or of being a Jew. And his is a story that rehearses later horrors in Russia and elsewhere. James Palmer's book is an epic recreation of a forgotten episode and will establish him as a brilliant popular historian.
Revolution on My Mind
Revolution on My Mind is a stunning revelation of the inner world of Stalin’s Russia. We see into the minds and hearts of Soviet citizens who recorded their lives during an extraordinary period of revolutionary fervor and state terror. Writing a diary, like other creative expression, seems nearly impossible amid the fear and distrust of totalitarian rule; but as Jochen Hellbeck shows, diary-keeping was widespread, as individuals struggled to adjust to Stalin’s regime. Rather than protect themselves against totalitarianism, many men and women bent their will to its demands, by striving to merge their individual identities with the collective and by battling vestiges of the old self within...
How the Soviet Jew Was Made
In post-1917 Russian and Yiddish literature, films, and reportage, Sasha Senderovich finds a new cultural figure: the Soviet Jew. Suddenly mobile after more than a century of restrictions under the tsars, Jewish authors created characters who traversed space and history, carrying with them the dislodged practices and archetypes of a lost world.
Orality, Textuality, and the Homeric Epics
Written texts of the Iliad and the Odyssey achieved an unprecedented degree of standardization after 150 BCE, but what of the earlier history of Homeric texts? This volume draws on scholarship from outside the discipline of classical studies to offer a comprehensive study of Homeric texts from the Archaic to the Hellenistic period.
Lenin and Literature
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Soviet Culture and Power
Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin’s death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin’s role in directing these relations, and his literary judgments and personal biases, will astonish many. The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalin’s correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents.
