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The Whirligig of Time
Zdenek Stribrny, an internationally respected Shakespeare scholar, was Professor of English and American Studies at Charles University, Prague, until the Russian occupation of 1968. He was reinstated after the Velvet Revolution of 1989. This volume, prefaced by a new autobiographical introduction, collects papers on Shakespeare, most of which were written originally in English, from various periods of his eventful career. Their two main themes are the role of Time and the Czech critical and theatrical response to Shakespeare, with special emphasis on the various ways in which, during an era of censorship, productions offered coded political readings of the plays. Zdenek Stribrny is Professor Emeritus of English and American Studies at Charles University, Prague. Lois Potter is Ned B. Allen Professor of English at the University of Delaware.
The Theatre of Tom Stoppard
Despite their box-office success, Tom Stoppard's plays have sometimes aroused academic hostility, his critics accusing Stoppard of cold intellectualism or frivolous showmanship. The purpose of this study is to examine the special problem of Stoppard's use of humor and games in conveying serious ideas. As an actor and director, Anthony Jenkins is concerned not just with the literary merit of Stoppard's plays, but also with the way they are written and shaped by the formal conventions particular to the media of stage, radio, and television. This book studies the stage space of each play as well as the actor's pauses and inner emotions. As a lecturer on drama, Jenkins follows Stoppard's career chronologically so that the radio and television plays are woven in with, and support various claims concerning, the major stage works. Unlike similar critical analyses of Stoppard's theater, this volume discusses all the latest plays, including The Real Thing, The Dog It Was That Died, and Squaring the Circle.
Vlasta Chramostová
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Obituaries in the Performing Arts, 2019
The entertainment world lost many notable talents in 2019, including television icon Doris Day, iconic novelist Toni Morrison, groundbreaking director John Singleton, Broadway starlet Carol Channing and lovable Star Wars actor Peter Mayhew. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2019 are included in this edition. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.
Education of a Canadian
This captivating memoir by one of Canada's preeminent and honoured scholars records a life devoted to understanding both the history and destiny of world communism. It also reveals a life lived at the heart of the Soviet experiment, especially as it was tried and tested in Czechoslovakia. The work is a "living history" of some of the most dramatic periods of change in our time, seen first through the eyes of an early and ardent "fellow traveller," then through the sharper lens of an academic striving to make sense of Soviet failures and gross injustices, and finally from the perspective of an experienced scholar, activist, and social critic.
And Reality Be Damned...
The real danger of Soviet deception during the fall of communism is exposed in this startling account that takes a firsthand look behind the Iron Curtain.---- Learn how the KGB sought world domination, starting with the USSR. Read the shocking facts about the true origin of international terrorism in the 1960s. Author Robert Buchar presents years of research and interviews with major players. His first-hand experience as a political refugee makes this an authentic and eye-opening account of Western Civilization's main enemy."Robert Buchar's book fills a vacuum, shedding light on the KGB's secret assistance to Communism and its tyrants ... [His] book shows the inner workings of [this] machine running its disinformation ... for all to see." - Lt. Gen. Ion Mihai Pacepa
Bulletin
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Tom Stoppard’s Plays
In Tom Stoppard’s Plays: Patterns of Plenitude and Parsimony Nigel Purse assesses the complete canon of Tom Stoppard’s works on a thematic basis. He explains that, amongst the plenitude of chaotic comedy, wordplay and intellectual ping-pong of Stoppard’s plays, the principle of parsimony that is Occam’s razor lies at the heart of his works. He identifies key patterns in theme – ethics and duality - and method – Stoppard’s stage debates and his dramatic vehicles - as well as in theatrical devices. Quoting extensively from all Stoppard’s published works, many of his interviews and also unpublished material Nigel Purse arrives at a comprehensive and unique appraisal of Stoppard’s plays.
