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Art History and Visual Studies in Europe
Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.
Periodization in the Art Historiographies of Central and Eastern Europe
This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. ...
A Socialist Realist History?
How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
Doing Memory: Medieval Saints and Heroes and Their Afterlives in the Baltic Sea Region (19th-20th Centuries)
This anthology is about the representations and uses of medieval saints, heroes, and heroic events as elements of popular, local, and national culture during the 19th and 20th centuries in the Baltic Sea region: Scandinavia, Finland, Baltic countries, Northern Germany and North-Western Russia. Authors examine the processes of how medieval saints and heroes have been remembered, commemorated, interpreted, used, and reflected during modernity, and by whom. The focus of the anthology is on "doing" memory as a practice that commemorated the past and shaped spaces and identities in the present. It approaches the memory of saints and heroes, for example, Swedish Saints Birgitta and Eric, Danish Sa...
Appropriating Space
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Memory and Pluralism in the Baltic States
Memories, both in individual and collective form, still have a significant impact on how people relate to political processes in Europe today. While much has been written about top-down attempts by states and political actors to mould people’s memories of the past through public commemoration, textbooks or monuments, this volume takes a view from below by focusing on different types of societal actors and the ways in which they interact with the political world in order to influence collective memory. Presented within a comprehensive conceptual framework, the empirical cases focus on three countries of the former Soviet Union: Estonia, Latvia and Lithuania. They show that different or even...
Baltic Crusades and Societal Innovation in Medieval Livonia, 1200-1350
The societies of the lands around the Baltic Sea underwent remarkable changes in the thirteenth century. This book examines aspects of these religious, economical, societal, and institutional innovations, such as the adaption of the Christianity, emergence of urban life, and the development of economic resources.
Visual Culture and Politics in the Baltic Sea Region, 1100-1250
Focusing on visual sources and the cultural landscape, Kersti Markus offers a fresh perspective on the Baltic crusades in Visual Culture and Politics in the Baltic Sea Region, 1100-1250. The book examines how visual propaganda was used by the Danish rulers as an instrument in establishing supremacy in the Baltic Sea region. In recent decades, Danish historians have highlighted the central role of the Valdemar dynasty and the bishops supporting them in the Baltic crusades, but visual sources show how the entire society was mentally prepared for a journey with redemption waiting at the end. A New Jerusalem was being built in Scandinavia, and the crusade to Livonia was conducted under the banner of Christ. See inside the book.
Forging Architectural Tradition
During the nineteenth century, a change developed in the way architectural objects from the distant past were viewed by contemporaries. Such edifices, be they churches, castles, chapels or various other buildings, were not only admired for their aesthetic values, but also for the role they played in ancient times, and their role as reminders of important events from the national past. Architectural heritage often was (and still is) an important element of nation building. Authors address the process of building national myths around certain architectural objects. National narratives are questioned, as is the position architectural heritage played in the nineteenth and the early twentieth centuries.
Zur Rezeption deutschbaltischer Literatur im 20. Jahrhundert
Wissenschaftliche und editorische Projekte der letzten Jahre zeigen sowohl in den baltischen Ländern als auch im deutschsprachigen Raum ein wachsendes öffentliches Interesse an deutschbaltischen Autoren. Deren Rezeption im 20. Jahrhundert bildete daher das Leitthema des 25. Baltischen Seminars, das im November 2013 von der Carl-Schirren-Gesellschaft in Lüneburg veranstaltet wurde. Nach mehreren vorangegangenen germanistischen und literaturwissenschaftlichen Seminaren zu Übersetzungsfragen oder allgemeinen Literaturbeziehungen nahmen 13 Wissenschaftler, Übersetzer und Editoren vor dem Hintergrund einer anzustrebenden umfassenden Bestandsaufnahme eine Beschreibung und Bewertung der aktuel...
