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This publication follows the history of discoveries pertaining to Portuguese travel to the New World, from the 15th century to the 1920s, with an emphasis on the events leading to the development of jazz. The diversity of cultural influences from all over the world have made the United States a treasury of improvised music. Hendler portrays the development of American music scenes in centuries past, reporting on aspects such as the background of the slave trade, particularly in the Antilles, the music of European immigrant families, and the sounds of the (Spanish-controlled) Mississippi. He sketches the musical relationships between Cuba and the United States and their influence on American popular music around 1900. The highly fashionable march music leaves its mark, as do ragtime and spirituals, all blending to form an impressive repertoire of improvised music. The reader is inspired by the richness of forms and styles and the power of the artistic performances in the prehistory of jazz.
With the departure of European Muslims to the “Islamic State” and a wave of terrorist attacks in Europe in recent years, the questions of why and how individuals radicalize to Jihadi extremism attracted keen interest. This thesis examines how individuals radicalize by applying a theoretical framework that primarily refers to social capital theory, the economics of religion, and social movement theory. The analysis of the biographical backgrounds, pathways of radicalization, and network connections of more than 1,300 Jihadi extremists from Germany, Austria, and Switzerland shows that radicalization primarily need to be considered as a social process of isolation from former social contact...
Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on acoustics around 1800. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 25 features a special section on acoustics around 1800, edited by Mary Helen Dupree, which includes, among others, contributionson sound and listening in Ludwig Tieck's Der blonde Eckbert (Robert Ryder) and on the role of the tympan...
Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.
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Mediumistically gifted people have been a source of creative action in various cultures from time immemorial—be it in the arts or as seers and advisors. When we feel the divine spark flowing into our being, a bridge is built between the material and the ethereal world, allowing essential information and decision-making aids to be imparted to us. The capability for extrasensory perception is inherent in each of us; we only have to recognize it. In The Sensory Channel to the Spiritual World, the author's first major work, Linda Roethlisberger explores insights into knowledge she receives as a medium. She delves into our human mediumistic dispositions, how and why we would do well to actively develop them and, above all, the positive and meaningful value which continuous inner work has for us in our everyday life, including our working life, at a very practical level. The clearly structured course book teaches you everything you need to know for building this bridge. The many tried-and-tested exercises enable you to unfold spiritually in dialogue with your spiritual companions and to expand the gates of your perception.
Na de formatie van de NSDAP in de jaren '20 werden verschillende vormen van geluid (stem, ruis, stilte, populaire muziek) en mediatechnologieën (radio- en luidsprekersystemen) ingezet voor hun politieke programma. Vanuit de historisch invalshoek van het stedelijke 'soundscape' van Düsseldorf, onderzoekt de auteur de productie en receptie van deze geluiden en technologieën. Nazi Soundscapes brengt in kaart hoe het politieke bestel de stedelijke ruimte en identiteitsformatie van burgers door middel van geluid beïnvloedt. Het geeft een kritisch perspectief op zowel visuele als auditieve manieren van controle en discipline, in het bijzonder bij uitsluiting en geweld tijdens het nationaal-socialisme (1933-1945).
The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education. Based on the piece »Two Weeks in Alert Bay«, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka'wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound. With the coeval »Session Musician's Approach«, introduced and analysed in text, audio, and interactive form, it also bridges the gap between art, science, and education. With a foreword by Barry Truax. The box includes a book, 2 DVD and 1 CD.
Wir sind in unserem Alltag umgeben von zahlreichen Geräuschen, auch wenn uns dies oft nicht bewusst ist. Menschen bewegen sich und agieren in Klangwelten. Klänge strukturieren dabei gesellschaftliche Räumlichkeit, wirken bewusst und unbewusst auf die Wahrnehmung und auf das Handeln der Individuen. Vor diesem Hintergrund werden häufig von verschiedensten Akteuren Geräusche sogar gezielt inszeniert und instrumentalisiert, um raumbezogene und gesellschaftliche Interessen zu verfolgen. Das Werk thematisiert die Kontroverse um inszenierte Klangräume, verdeutlicht wo und mit welchen Intentionen Geräusche gezielt produziert werden und versucht abschließend die raumbezogenen und gesellschaftlichen Auswirkungen des bewussten Klangeinsatzes zu analysieren.