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My Musical Notes
Chronicling nearly a century of music, Gaby Casadesus’ MyMusical Notes, recounts the French pianist's remarkable career as half of one of the most extraordinary husband and wife teams in twentieth century classical music, with her husband Robert Casadesus. Told in a lively conversational tone, she evokes the delicate balance between touring and family life, maintaining her own solo career and traveling the world while raising three children. Her decades-long teaching imparted the stylistic legacy of Debussy, Fauré and Ravel, a personal friend to both Robert and Gaby, to generations of young pianists. In this memoir, we experience the bustling Paris of the 1920s and 30s as well as numerous...
Sound Bites
In Zurich, 1916, war is raging across Europe and artists, revolutionaries, and many people of questionable character have fled to Switzerland. While carnage reigns across the border, aesthetic and political battles are being fought in the coffee houses and Dada cabarets, until a shocking series of murders leaves a trail of bloodless corpses.
Cello and Double Bass Ensemble Music
Bibliography of Cello and Double Bass Ensemble Music for Three or More Celli and/or Double Basses
Ferruccio Busoni and the Ontology of the Musical Work
Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.
Adolf Busch
Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. ...
Stargardt-Wolff, Edith
The author describes in this book the era of the German and European music existence between 1880 and 1935. She is the daughter of the founders, Hermann and Louise Wolff. She describes the activities of her parents based upon letters of her parents and correspondences with artists. The agency developed into a worldwide, renowned music agency but had to close in 1935 for political reasons. The author gives us the opportunity to sit at the table with famous artists of yesterday and today: conductors, pianists, singers, composers, dancers, etc. Even things that happen historically are brought to light. We cannot speak of Hermann and Louise as "managers" or "agents" in the normal sense. They were of an artistic nature (note--Hermann, German, was a pianist; Louise, Austrian, was an actress). After Hermann's death, "Queen Louise" (as she was called) continued to run the company in the same spirit. Note, "Queen Louise" references Konigin Louise (1776-1810), who was, indeed, the beloved queen of Mecklenburg-Strelitz, eighty kilometers north of Berlin.
The Piano in Chamber Ensemble, Third Edition
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
William Walton
"Using first-hand accounts, including contemporary correspondence, articles and interviews, this account of Walton's life also draws on material newly available relating to his friends and associates. The reception of Facade and Walton's work in both films and radio are fully explored."--BOOK JACKET.
Instruments for New Music
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
