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This is not a book for those seeking profound words or thought-out phrases and dialogues. No, it is mainly a story, my story with its many sad, happy, humorous moments, from a short and specific part of my life. A life somehow different to most others, for I was born at a certain time in Chile, South America, where things happened, political events which uprooted me and made me go elsewhere in search of a safer and better life. Instead, I found adventure, friends, lovers and all kinds of interesting people and places. Life itself did not get any better or worse, but fuller, richer and more interesting. I chose to write about those specific seven years of my life, for I believe that in that s...
More than a hundred stereotype maps glazed with exquisite human prejudice, especially collected for you by Yanko Tsvetkov, author of the viral Mapping Stereotypes project. Satire and cartography rarely come in a single package but in the Atlas of Prejudice they successfully blend in a work of art that is both funny and thought-provoking. A reliable weapon against bigots of all kinds, it serves as an inexhaustible source of much needed argumentation and—occasionally—as a nice slab of paper that can be used to smack them across the face whenever reasoning becomes utterly impossible. This second edition packs the most extensive collection of Tsvetkov’s maps to date in a single book suitable for all ages, genders, and races.
Tasked with an impossible mission, hunted by the very people he wants to protect, Yanko White Fox is the only one who can save his nation from famine and anarchy. Armed only with his fledgling skills as a wizard and accompanied by allies he’s not sure he can trust, he must track down an ancient relic before his enemies find it first. But countless obstacles stand in the way, including his mother. The deadly and infamous pirate Snake Heart cares nothing for the family—or the son—she abandoned, and wants the artifact for herself.
The Artificial Southerner tracks the manifestations and ramifications of "Southern identity"--the relationship among a self-conscious, invented regionalism, the real distinctiveness of Southern culture, and the influence of the South in America. In these essays columnist Philip Martin explores the region and those who have both fled and embraced it. He offers lyric portraits of Southerners real, imagined, and absentee: musicians (James Brown, the Rolling Stones, Johnny Cash), writers (Richard Ford, Eudora Welty), politicians (Bill Clinton, Jimmy Carter). He also considers such topics as the architecture of E. Fay Jones, the biracial nature of country music, and the idea of "white trash." "Every American has a South within," he says, "a conquered territory, an old wound . . . a scar." His work meditates on the rock and roll, the literature, the life, and the love which proceed from that inner, self-created South.
His mother was one of the most powerful wizards in the Nurian Empire until she abandoned her people to become a notorious pirate. That choice doomed the family she left behind to a life of disgrace. Yanko White Fox doesn’t remember his mother, but as the only gifted child in the family, he is expected to erase the mark she left on them all. With an affinity for earth magic and communicating with animals, he’s not the most natural candidate to become a warrior mage, but it’s the only sure route back into the Great Chief’s good graces. He has resigned himself to training for that destiny, whether it matches his passions or not. Long before he’s ready for his first battle, insurrectio...
Explores how the entry of migrant workers into Israel raises questions beyond just those of the labor market.
This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction b...
This volume considers Joseph Conrad’s use of multiple genres, including allusions to sensation fiction, pornography, anthropology, and Darwinian science, to respond to Victorian representations of gender in layered and contradictory representations of his own. In his stories and later novels, the familiar writer of sea stories centered on men moves to consider the plight of women and the challenges of renegotiating gender roles in the context of the early twentieth century. Conrad’s rich and conflicted consideration of subjectivity and alienation extends to some of his women characters, and his complex use of genre allows him both to prompt and to subvert readers’ expectations of popul...
The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D’Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War
Nauplia, huddled together on the edge of its glittering bay, and grilled beneath the hot stress of the midsummer noon, stood silent as a city of the dead. Down the middle of the main street, leading up from the quay to the square, lay a scorching ribbon of sunshine, and the narrow strips of shadow, sharp cut and blue, spoke of the South. Along one side of the square ran the barracks of the Turkish garrison of occupation, two-storied buildings of brown stone, solid but airless, and faced with a line of arcade. These contained the three companies of men who were stationed in the town itself, less fortunate in this oven of heat than the main part of the garrison who held the airier fortress of Palamede behind, overlooking the plain from a height of five hundred feet.