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Divine Cartographies
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. 'Divine Cartographies: God, History, and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot' triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Divine Cartographies
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. Divine Cartographies: God, History, and Poiesis in W. B. Yeats, David Jones, and T. S. Eliot triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Kings & Queens of Great Britain: Every Question Answered
From the House of Wessex to the House of Windsor, follow the pageant of personalities that have made Great Britain what it is today. Fascinating biographies of the British monarchs from the time of Roman Brittania to present day answer your every question about the country’s aristocracy. Details of the kings’ and queens’ personalities are the focus, with a timeline across the bottom relating the major events of their reigns. Also included is a section devoted to royal edicts. All the Edwards, Richards, Henrys, and Williams are represented, along with outstanding personalities such as Lady Jane Grey and Oliver Cromwell—a king in all but name. This is essential reading for all Anglophiles, so brew a pot of tea and dig into the history!
Swords, Spears and Maces
Examines swords through the ages and offers a historical perspective, with the swords tied to their culture in some significant way.
Poetry and Theology in the Modernist Period
What if the religious themes and allusions in modernist poetry are not just metaphors? Following the religious turn in other disciplines, literary critics have emphasized how modernists like Woolf and Joyce were haunted by Christianity’s cultural traces despite their own lack of belief. In Poetry and Theology in the Modernist Period, Anthony Domestico takes a different tack, arguing that modern poets such as T. S. Eliot, W. H. Auden, and David Jones were interested not just in the aesthetic or social implications of religious experience but also in the philosophically rigorous, dogmatic vision put forward by contemporary theology. These poets took seriously the truth claims of Christian th...
Yeats's Legacies
The two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body rebo...
Divine Cartographies
A study of how three modernist poets (Yeats, Jones, and Eliot) at the height of their careers drew on their religious beliefs to transform some of their greatest poems into maps of the relationship between history and eternity.
The New Modernist Studies
The first book specifically devoted to the history and prospects of the new modernist studies.
Mircea Eliade’s Journalistic Writings
This book presents an original way of articulating a discussion of Mircea Eliade’s journalism, a lesser-known chapter in the literary biography of the celebrated philosopher of religion. As it shows, Eliade’s articles serve as the starting point of interesting comments regarding the movement of ideas in the interwar era, historical and cultural contexts, Romania’s cultural life and its relation to European modernism, the dramatic destiny of Mircea Eliade and his generational colleagues under the pressure of a succession of totalitarian regimes, the post-war Romanian diaspora, and the reception of Eliade in Romania and abroad. It shows how Eliade’s approach to culture is subject to a phenomenological variation, examining it from a range of perspectives.
Poet of the Medieval Modern
The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival ma...
