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The sculptures of Conrad Shawcross RA explore subjects that lie on the borders of geometry and philosophy, physics and metaphysics. For the 2015 Summer Exhibition's Annenberg Courtyard installation, Shawcross created a large-scale, immersive work consisting of five cloud-like forms in steel. Made from thousands of tetrahedrons, these forms stand at over six metres high and weigh five tonnes each. Shawcross explains: "The Greeks considered the tetrahedron to represent the very essence of matter. In this huge work I have taken this form as my 'brick', growing these chaotic, diverging forms that will float above the heads of visitors." As well as photography of the works in situ, this publication contains working drawings, structural diagrams and a text by the architecture writer Patrick Sykes. AUTHOR: Patrick Sykes is an architecture writer and radio producer whose work is featured or forthcoming in The Times, Mas Context, Warscapes, Polis and on BBC Radio 4. SELLING POINTS: * Includes structural diagrams showing the construction of this dramatic work * Features an exclusive interview with the artist himself * Conrad Shawcross is the youngest living Royal Academician 80 colour
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Although there are many books and films dealing with the Vietnam War, Sideshow tells the truth about America's secret and illegal war with Cambodia from 1969 to 1973. William Shawcross interviewed hundreds of people of all nationalities, including cabinet ministers, military men, and civil servants, and extensively researched U.S. Government documents. This full-scale investigation—with material new to this edition—exposes how Kissinger and Nixon treated Cambodia as a sideshow. Although the president and his assistant claimed that a secret bombing campaign in Cambodia was necessary to eliminate North Vietnamese soldiers who were attacking American troops across the border, Shawcross maintains that the bombings only spread the conflict, but led to the rise of the Khmer Rouge and the subsequent massacre of a third of Cambodia's population.
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Vols. 1-64 include extracts from correspondence.
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