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John and Thomas—Gospels in Conflict?
The hypothesis that the Fourth Gospel is a theological response to the Gospel of Thomas is a recent development in the study of the New Testament and early Christianity. Assuming an early date for the Gospel of Thomas, the proponents of this hypothesis argue that the supposed "polemical" presentation of Thomas in the Fourth Gospel is evidence of a conflict between the early communities associated respectively with John and Thomas. However, a detailed narrative study reveals that the Fourth Gospel portrays a host of characters--disciples and non-disciples--in an equally unflattering light where an understanding of Jesus's origins, message, and mission are concerned. The present study attempts to demonstrate that the Fourth Gospel's presentation of Thomas is part and parcel of its treatment of "uncomprehending" characters. If this thesis is correct, it poses a significant challenge to the assumption that the Fourth Gospel contains a polemic against Thomas, or that it was written in response to the Gospel of Thomas or the community associated with Thomas.
John Thomas
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John Thomas
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Kalamazoo Gals
According to company lore, Gibson, the guitar manufacturer, had ceased guitar production during World War II with only "seasoned craftsmen" too old for battle doing repairs and completing the few instruments already in progress at their Kalamazoo, Michigan factory. However, beginning in 1942, Gibson started producing wartime guitars each marked with a small, golden "banner" displaying the slogan: "only a Gibson is good enough." Over 9000 of these "Banner" guitars were produced between 1942 and 1945 and they are considered to be some of the finest acoustic guitars ever produced but who was making them? In this work of musical and social history, Thomas explores the origins of the Gibson "Banner" guitars and the remarkable women, many of whom had no prior training in instrument construction, who built them.
