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The first comprehensive collection of the letters of one of the most successful American songwriters of the twentieth century From Anything Goes to Kiss Me, Kate, Cole Porter left a lasting legacy of iconic songs including "You're the Top," "Love For Sale," and "Night and Day." Yet, alongside his professional success, Porter led an eclectic personal life which featured exuberant parties, scandalous affairs, and chronic health problems. This extensive collection of letters (most of which are published here for the first time) dates from the first decade of the twentieth century to the early 1960s and features correspondence with stars such as Irving Berlin, Ethel Merman, and Orson Welles, as well as his friends and lovers. Cliff Eisen and Dominic McHugh complement these letters with lively commentaries that draw together the loose threads of Porter's life and highlight the distinctions between Porter's public and private existence. This book reveals surprising insights into his attitudes toward Hollywood and Broadway, and toward money, love, and dazzling success.
In 1942, the directors of the New York Stock Exchange met to discuss a problem. The exchange—its air charged with testosterone, its floor scuffed by the frantic paces of men racing one another for shares of the American dream—was off-limits to women. This, it was agreed, was how it should be. However, it had recently become public knowledge that one of New York’s most prolific and respected financial writers, S. F. Porter, was a woman. If Porter trained her eye on the all-male stock exchange, the NYSE might find itself the subject of some unwanted controversy during the electrified “Rosie the Riveter” days of World War II. But should women really be allowed into the stock exchange?...
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