You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"With language that's as simple as it is musical, Di Piero sets dazzling moments amid plainsong."--New York Times Book Review For more than three decades, W. S. Di Piero's poems have reveled in the gritty realism of cities, often drawing from his childhood in South Philadelphia. The award-winning poet, writer, and art critic returns with his twelfth volume of poetry. The Complaints is a book of fortunes, laments, and celebrations--and about pulling the extraordinary ordinary. These sensuous poems speak of the ways we're hostages to chance and circumstance. Whether Di Piero writes about cranes migrating, city scavengers, diners, bars, bad weather, or movies and the memories they make, he reminds us how "We bone and tissue creatures stir up embers / of fiery wish."
A collection of poems one wants to call religious, so intense is each poem's evocation of holiness in life's moments. --Dave Smith.
Nitro Nights is a Book of Fortune about sexual love, dying, city scruff, racial unease, and American conscience.
When a self-proclaimed "lazy scholar" embarks on a trip through his life's influences--as diverse as girl-group doo-wop, Yeats, and Van Gogh--readers are in for an illuminating ride. This collection of essays from cultural critic Di Piero veers from his early years as the son of immigrants in Philadelphia to his working life in art, film, music, and poetry. Along with a few choice essays reprinted from out-of-print collections, Di Piero's new work shows him to be insightful about himself and his work despite his protestations against the "boosterism" of autobiography. Through the lens of his sharp artistic analysis, readers see his story--an immigrant story filled with the music and mystery ...
"The writing is superb, the insights come with astonishing and rich rapidity, and the moral and intellectual intelligence behind them strikes me as unflinchingly honest and scrupulous."--Reginald Gibbons, Editor, TriQuarterly
In this rich collection, W. S. Di Piero seeks the spirit and substance of illumination in all its forms. He finds meaning, or shows us how we attempt to do so, in the rituals and events that mark our year–the Fourth of July, Halloween, New Year’s Eve–and in the ordinary activities of mowing, dancing, drinking, trying to stay warm. “The Kiss” recounts how, as a young man, the poet was not called to the priesthood; in “Prayer Meeting,” he recalls watching his mother iron, with her “hopeless routine longing,” and declares, “I wanted more than what I prayed for.” For all their simplicity, Di Piero’s direct, often conversational turns of phrase reveal a world aflame with troubles, with love, with surprising lyrical epiphanies. Didn’t You Say Desire Is like the elephant fog shredded north a white sun going down Bessemers fired through clouds horizoned on my dog-eared stack It feels good and right to waste earnest hours of an early evening’s daylight saving time in uncertainty and want these cranky climates changing in us while we haven’t started dinner yet.
Selected from the past twenty years of W. S. Di Piero's prose writings, Fat displays the range and intensity that caused Poetry magazine to call him "probably the most consistently compelling and idiosyncratic prose writer among contemporary American poets." Ranging from a response to 9/11 and reflections on fatherhood, food, and music, to reconsiderations of Robert Browning, James Schuyler, and other poets, to reviews of old master artists like Rembrandt and Bellini as well as modern figures like Bill Traylor and Robert Mapplethorpe, these pieces provoke and tease out the meanings of contemporary life and the legacies of the past.
Twelve inches by twelve inches by twelve inches, the cubic foot is a relatively tiny unit of measure compared to the whole world. With every step, we disturb and move through cubic foot after cubic foot. But behold the cubic foot in nature—from coral reefs to cloud forests to tidal pools—even in that finite space you can see the multitude of creatures that make up a vibrant ecosystem. For A World in One Cubic Foot, esteemed nature photographer David Liittschwager took a bright green metal cube—measuring precisely one cubic foot—and set it in various ecosystems around the world, from Costa Rica to Central Park. Working with local scientists, he measured what moved through that small s...
Notebook entries by the award-winning San Francisco poet
When authors are interviewed about their books or themselves, much more is going on than a simple conversation. The interview becomes a performance space for authorial orchestration and self-promotion, and interviewers in turn respond to such self-display and theatrics. ø Featuring absorbing conversations with nine well-known authors, including poets Richard Howard and Gerald Stern, novelist Isabel Allende, and scholar-intellectual Camille Paglia, Performing the Literary Interview is the first in-depth look at this type of performance art. Interviews with poets, fiction writers, and intellectuals enable John Rodden to identify a range of rhetorical strategies and their effects and to formul...