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"Author Wade Hall, the first of his family to graduate from high school, is a native of Bullock County. In the 1970s and early 1980s, during visits back to his home county, he recorded the memories of some of the county's oldest inhabitants, including the nineteen people who now speak from these pages. What they shared were recollections of a culturally and technologically isolated time - in which life was hard but honest and people persevered with stoicism and a simple, unfettered religious faith."--Jacket.
to pass for white in a segregated society, Mae felt that she was doing the opposite - choosing to assert her black identity. Passing for Black is her story, in her own words, of how she lived in this racial limbo and the obstacles it presented. As a Kentucky woman of color during a pioneering period of minority and women's rights, Mae Street Kidd seized every opportunity to get ahead. She attended a black boarding academy after high school and went on to become a.
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“A bountiful smorgasbord of classic and lesser known stories by accomplished Kentucky writers who provide a feast for readers of modern short fiction.” —Ann Charters, author of The Story and Its Writer With an introduction by Wade Hall Morris Grubbs has sifted through vintage classics, little-known gems, and stunning debuts to assemble this collection of forty stories by popular and critically acclaimed writers. In subtle and profound ways, they challenge and overturn accepted stereotypes about the land their authors call home, whether by birth or by choice. Kentucky writers have produced some of the finest short stories published in the last fifty years, much of which focuses on the t...
This book was written to venture beyond interpretations of Cormac McCarthy's characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy's descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy's latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy's stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.
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In The Rest of the Dream, Lyman Johnson, grassroots civil rights leader, tells his own story. All four of Johnson's grandparents were slaves in Tennessee. Yet his father was a college graduate, principal of a black school, and the inspiration for his son's love of justice. Lyman Johnson was born in 1906 during the darkest days of segregation. He learned from his father not to sit in the "crow's nest" reserved for blacks in his hometown movie theater. This refusal to accept second-class citizenship became a guiding principle in Johnson's life. Johnson was almost forty-three when he won admission to graduate study at the University of Kentucky in 1949. Crosses were burned on campus. Because of...
This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers.
A sort of nebulous sad thing happening forever and ever : childhood socialization to the Vietnam War -- Why couldn't I fight in a nice, simpler war? : comic books and Mad magazine -- Who bombed Santa's workshop? : militarizing play with commercial war toys -- One of the most agonizing years of my life : knowing someone in Vietnam -- Mom tried to make it for us like he wasn't even gone : father separation and reunion -- God bless dad wherever you are : POW/MIA -- How come the flags around town aren't flying at half-mast? : Gold Star children -- Yes, I am My Lai, but My Lai is better than Viet Cong! : Vietnamese adoptees and Amerasians.