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These essays explore the parameters of Wagner's rich literary and architectural creations.
Richard Wagner's anti-Semitism considered in the context of his time, place, and aspirations rather than in relation to his later appropriation by the Nazis.
Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented ...
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
Chapitre 6, p. 175-207, consacré à Adolphe Appia.
Wagner's Melodies places the composer's ideas about melody in the context of the scientific discourse of his age.
‘A fine, intellectually sparkling and always engaging little book – a welcome addition to any Wagner library’ Hans Vaget, Opera Quarterly
The series emerged from the study Towards a European Civil Society, on which 40 political scientists, sociologists, historians, and other scholars in 10 countries worked for two and a half years. This first volume looks at the debates about civil society over the past two decades in East Central Europe, Latin America, East Asia, and finally in Europe and globally, as a counter to unjustified state domination and neo-liberal marketization. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).