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Imagining China in Tokugawa Japan
Pioneering study of the localization of Chinese culture in early modern Japan, using legends, classics, and historical terms as case studies. While current scholarship on Tokugawa Japan (16031868) tends to see China as either a model or the Other, Wai-ming Ngs pioneering and ambitious study offers a new perspective by suggesting that Chinese culture also functioned as a collection of cultural building blocks that were selectively introduced and then modified to fit into the Japanese tradition. Chinese terms and forms survived, but the substance and the spirit were made Japanese. This borrowing of Chinese terms and forms to express Japanese ideas and feelings could result in the s...
Listen, Copy, Read
Listen, Copy, Read: Popular Learning in Early Modern Japan endeavors to elucidate the mechanisms by which a growing number of men and women of all social strata became involved in acquiring knowledge and skills during the Tokugawa period. It offers an overview of the communication media and tools that teachers, booksellers, and authors elaborated to make such knowledge more accessible to a large audience. Schools, public lectures, private academies or hand-copied or printed manuals devoted to a great variety of topics, from epistolary etiquette or personal ethics to calculation, divination or painting, are here invoked to illustrate the vitality of Tokugawa Japan’s ‘knowledge market’, and to show how popular learning relied on three types of activities: listening, copying and reading. With contributions by: W.J. Boot, Matthias Hayek, Annick Horiuchi, Michael Kinski, Koizumi Yoshinaga, Peter Kornicki, Machi Senjūrō, Christophe Marquet, Markus Rüttermann, Tsujimoto Masashi, and Wakao Masaki.
Parting the Mists
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed ...
Dynasties
A vibrant and broad-ranging study of dynastic power in the late medieval and early modern world.
Science In China, 1600-1900: Essays By Benjamin A Elman
Distinguished historian Benjamin A Elman's collective volume on the history of science in imperial China, brings together over 30 years of historical literature on the subject. With updates to the literature and new material including transcripts of podcasts and translated interview articles, Science in China takes the reader on a journey starting in the early 17th century with the missionary efforts of the Jesuits in China, and ending with the Protestant missions in the 19th century. These two milestone encounters brought Western sciences to local Chinese scholars with great success in shaping modern Chinese science. Elman studies the interaction between Western and Chinese sciences through philological research and evidence, and treats the two encounters not as separate events but as a continuum of creative exchange of scientific knowledge and discourse.
Ogyu Sorai's Philosophical Masterworks
Tuckar's introduction also examines the reception of Sorai's two Ben during the remainder of the Tokugawa, calling attention to radical tendencies in later developments of Sorai's thought as well as to the increasingly scathing critiques of his "Chinese" approach to philosophy, language, and politics. Finally, it traces the vicissitudes of the two Ben in modern Japanese intellectual history and their role in the formation of the ideas of Meiji intellectuals such as Nishi Amane (1829-1897) and Kato Hiroyuki (1836-1916)."--Jacket.
Ambassadors from the Islands of Immortals
Using recent archaeological findings and little-known archival material, Wang Zhenping introduces readers to the world of ancient Japan as it was evolving toward a centralized state. Competing Japanese tribal leaders engaged in ambassador diplomacy and actively sought Chinese support and recognition to strengthen their positions at home and to exert military influence on southern Korea. Wang brings diplomatic history to life in his descriptions of the diplomats and their personalities and literary talents as well as their ambitions and frustrations. He explains in detail the rigorous criteria of the Chinese and Japanese courts in the selection of diplomats and how the two prepared for missio...
Beyond the Bronze Pillars
Beyond the Bronze Pillars is an innovative and iconoclastic look at the politico-cultural relationship between Vietnam and China in the sixteenth to nineteenth centuries. Overturning the established view that historically the Vietnamese sought to maintain a separate cultural identity and engaged in tributary relations with the Middle Kingdom solely to avoid invasion, Liam Kelley shows how Vietnamese literati sought to unify their cultural practices with those in China while fully recognizing their country’s political subservience. He does so by examining a body of writings known as Vietnamese "envoy poetry." Far from advocating their own cultural distinctiveness, Vietnamese envoy poets expressed a profound identification with what we would now call the Sinitic world and their political status as vassals in it. In mining a body of rich primary sources that no Western historian has previously employed, Kelley provides startling insights into the pre-modern Vietnamese view of their world and its politico-cultural relationship with China.
Crossed Histories
Crossed Histories represents a collaborative and interdisciplinary approach to "Manchuria" under Japan’s influence from the turn of the twentieth century to 1945. The contributors, who represent the fields of history, literature, film studies, sociology, and anthropology, unpack the complexity of Manchuria as an effect of the geopolitical imaginaries of various individuals and groups shaped by imperialism, colonialism, Pan-Asianism, and the present globalization. Manchuria is thus examined in the imaginations of a Chinese journalist and his Shanghai readers in the 1930s; prewar Japanese city planners and architects; a Manchu princess later executed by the Chinese nationalist government; various audiences of Japanese "goodwill films" of the 1930s and 1940s; the seven thousand Poles who immigrated to northern Manchuria in the late nineteenth and early twentieth centuries; the state makers of Manchukuo (which included both Japanese and Chinese leaders) and North and South Korea during the Cold War era; and a student of Manchuria Nation- Building University in the mid-1940s.
The I Ching
How the I Ching became one of the most widely read and influential books in the world The I Ching originated in China as a divination manual more than three thousand years ago. In 136 BCE the emperor declared it a Confucian classic, and in the centuries that followed, this work had a profound influence on the philosophy, religion, art, literature, politics, science, technology, and medicine of various cultures throughout East Asia. Jesuit missionaries brought knowledge of the I Ching to Europe in the seventeenth century, and the American counterculture embraced it in the 1960s. Here Richard Smith tells the extraordinary story of how this cryptic and once obscure book became one of the most w...
