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The Life of High Countess Gritta Von Ratsinourhouse
A group of girls escape from their convent school and after surviving a shipwreck found a feminist paradise on an exotic island. Written in the 1840s by a mother-daughter team, the novel was a critique of German paternalism.
Bitter Healing
Bitter Healing is the first anthology of eighteenth- and early-nineteenth-century German women's writing in English translation. It goes far toward filling a major gap in literary history by recovering for a wide audience the works of women whoøwere as famous during their lifetime as Wieland, Schiller, and Goethe. Like those men, they wrote in the early modern period spanning the transition from early Enlightenment to Romanticism. Edited by Jeannine Blackwell and Susanne Zantop, this collection assembles little-known writings by fifteen authors from various social classes, religious backgrounds, and political persuasions. They include the forgotten pietist theologian Johanna Eleonore Peters...
The Principle of Reason
The Principle of Reason, the text of an important and influential lecture course that Martin Heidegger gave in 1955–56, takes as its focal point Leibniz's principle: nothing is without reason. Heidegger shows here that the principle of reason is in fact a principle of being. Much of his discussion is aimed at bringing his readers to the "leap of thinking," which enables them to grasp the principle of reason as a principle of being. This text presents Heidegger's most extensive reflection on the notion of history and its essence, the Geschick of being, which is considered on of the most important developments in Heidegger's later thought. One of Heidegger's most artfully composed texts, it also contains important discussions of language, translation, reason, objectivity, and technology as well as remarkable readings of Leibniz, Kant, Aristotle, and Goethe, among others.
In the Company of Men
In the wake of the revolutionary wars, the figure of the cross-dressed woman proliferated in novels, plays, popular tales, and real-life accounts that circulated throughout Germany. Sometimes appearing in soldier's garb and engaging in battle like Joan of Arc, other times donning overalls and plying a trade, and female cross-dresser tested the revolutionary ideas of freedom and equality. Perhaps her most provocative challenge, however, was to contemporary notions of what it meant to be a women or a man.
Behind the Mask
This study asserts that the Lessing in the Postscript can only be understood within Kierkegaard's usage of pseudonymous figures to fulfill the requirements of indirect communication.
Mediating Modernity
A landmark collection of essays by prominent academics in modern Jewish and German-Jewish history, honoring Michael A. Meyer, a pioneer in those fields. In Mediating Modernity, contemporary Jewish scholars pay tribute to Michael A. Meyer, scholar of German-Jewish history and the history of Reform Judaism, with a collection of essays that highlight growing diversity within the discipline of Jewish studies. The occasion of Meyer's seventieth birthday has served as motivation for his colleagues Lauren B. Strauss and Michael Brenner to compile this volume, with essays by twenty-four leading academics, representing institutions in five countries. Mediating Modernity is introduced by an overview o...
In the Shadow of Olympus
This anthology represents the first sustained feminist examination of eighteenth-and nineteenth-century German women writers in English. These essays highlight the literature produced by German women in the period 1790-1810, framing the discussions with a comparative orientation. The book analyzes in culturally specific detail how these authors came to constitute the first generation of writing women in Germany at a time when Goethe set the standard for literary production. Each essay focuses on the ambivalence of the author(s) toward literary and social models. The authors treated include Rahel Varnhagen, Charlotte von Stein, Friederike Helene Unger, Bettine von Arnim, Caroline Schlegel-Schelling, Sophie Albrecht, Therese Huber, Sophie Mereau, Sophie von La Roche, Henriette Frolich, and Benedikte Naubert.
Sources of the Faust Trad Cb
First Published in 1966. In experience of many years in conducting a course in Goethe's Faust, trying to present to students of varied types and training the background out of which the drama grew, the compilers of this text have constantly felt the need of a collection of source material which would make that background more real and consequently more interesting. The content and form of the collection have been in part determined by its primary purpose of serving as an aid to students receiving their first serious introduction to Goethe's masterpiece and in part by the trend of Faust research. It is intended to be used as a supplement to the usual scholarly edition in the student's hands.
