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These Words Expose Us
A mother's warning to her young daughter not to leave home . . . A question that changes a relationship in ways no one could have predicted . . . A silence that speaks more than words ever could . . . TheNakedConvos brings you an emotional, thought-provoking, inspiring and altogether fascinating invitation to exploration, honesty, vulnerability, connection, celebration of relationships, and self-discovery. Have you ever read a story that left you feeling naked, vulnerable and exposed? These Words Expose Us is an anthology of stories from young, award-winning Nigerian writers, including Uche Okonkwo, Pemi Aguda, Gbolahan Adeola, Osemhen Akhibi and many, many more. From Lagos to Benin, Ibadan to New York, these are our stories - the stories we never tell, the stories we suspect our neighbors live, the stories our friends and lovers are afraid to tell us. But they are only stories made of words. Just words. Even if These Words Expose Us.
Battle Tested
Battles not only occur in warzones, they also materialize in life as individuals face strong opposing forces. Jamal Byrd uses this illustration to depict his intricate story. Come take a walk in Jamal’s shoes as he leads you through his unbelievable journey. Jamal has unveiled his life through this decidedly honest and passionate, yet invigorating novel. From life-threatening injuries and heartbreak, to triumph and achievements. His roller coaster campaign is constantly oscillating as you witness his captivating ride. Jamal’s pursuit of God was continuously tested by his decisions and life’s trails. All the while, his faith in God flourished as he grew closer to the Lord. In addition t...
Youthquake
A riveting study of Africa's demographics – its youth and growth – and what they mean for the continent, today and into the future. 'Essential reading' Guardian 'Intensely researched – and very important!' The Week 'The research in Youthquake is meticulous' Tim Marshall, Reaction 'Attempts to end the hysteria and ignorance surrounding demographic trends' New Statesman 'Meticulously researched, nuanced and brilliant' Mary Harper Africa's population growth in the last 50 years has been unprecedented. By mid-century, the continent will make up a quarter of the global population, compared to one-tenth in 1980. Africa's youth is the most striking aspect of its demography. As the rest of the world ages, almost 60 per cent of Africa's population is younger than 25 years old. This 'youthquake' will have immense consequences for the social, economic and political reality in Africa. Edward Paice presents a detailed, nuanced analysis of the varied demography of Africa. He rejects the fanciful over-optimism of some commentators and doom-laden prophecies of others, while scrutinising received wisdom, and carefully considering the ramifications of the youthquake for Africa and the world.
Waste Matters
For thousands of years humans have experimented with various methods of waste disposal—from burning and burying to simply packing up and moving in search of an unscathed environment. Habits of disposal are deeply ingrained in our daily lives, so casual and continual that we rarely ever stop to ponder the big-picture effects on social, spatial and ecological orders. Rethinking the ways in which we produce, collect, discard and reuse our waste, whether it’s materials, spaces or places, is essential to ensure a more feasible future. Waste Matters: Adaptive Reuse for Productive Landscapes presents a series of historical and contemporary design ideas that reimagine a range of repurposed materials at diverse scales and in various contexts by exploring methods of hacking, disassembly, reassembly, recycling, adaptive reuse and preservation of the built environment. Waste Matters will inspire designers to sample and rearrange bits of artifacts from the past and present to produce culturally relevant and ecologically sensitive materials, objects, architecture and environments.
Lagos Noir
“A stellar cast of award-winning Nigerian authors . . . a must-read for crime lovers looking for something different.”—Brittle Paper In Akashic Books’s acclaimed series of original noir anthologies, each book comprises all new stories set in a distinct neighborhood or location within the respective city. Now, West Africa enters the Noir Series arena, meticulously edited by one of Nigeria’s best-known authors. In Lagos Noir, the stories are set in “a city of more than 21 million and an amazing amalgam of wealth, poverty, corruption, humor, bravery, and tragedy. Abani and a dozen other contributors tell stories that are both unique to Lagos and universal in their humanity . . . Thi...
Routledge Handbook of African Popular Culture
This handbook brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. These imaginaries – in the sense of cultural productions, contexts, consumers, producers, platforms, and the material, affective and discursive resources they circulate – are influential in shaping African realities. Collectively, the chapters assembled in this handbook index the genres, methods, mediums, questions and encounters that preoccupy producers, consumers and scholars of African popular cultural forms across a range of geohistorical and temporal contexts. Drawing on forms such as newspaper columns, televised English Premier League footba...
Talking Drums
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Lagos Noir
"A stellar cast of award-winning Nigerian authors ... a must-read for crime lovers looking for something different."'Brittle Paper In Akashic Books's acclaimed series of original noir anthologies, each book comprises all new stories set in a distinct neighborhood or location within the respective city. Now, West Africa enters the Noir Series arena, meticulously edited by one of Nigeria's best-known authors. In Lagos Noir, the stories are set in "a city of more than 21 million and an amazing amalgam of wealth, poverty, corruption, humor, bravery, and tragedy. Abani and a dozen other contributors tell stories that are both unique to Lagos and universal in their humanity ... This entry stands a...
