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Situating the Tudor dynasty, their court, and the country, in an international context, this book will be highly illustrated and feature contemporary research in an accessible way. It will provide an overview of the ways in which the Tudors engaged with the world and were impacted by broader currents: the internationalism of court culture, religious shifts, trade, naval conflict and the expansion in the Americas. The introductory text will consider the legacies of the Tudors, as the monarchs who reigned during the tumultuous years of the Reformation and the emergence of the transatlantic slave trade and English colonialism. Taking a thematic and biographical approach, the book will feature s...
"This illustrated book examines Wright's decisive impact on the artistic climate of the expanding port town of Liverpool and on the other artists working there. The Merseyside network of merchants, bankers, and amateur and professional artists that Wright encountered in the years around 1770 is identified as his true historical milieu. The book serves as the catalogue of the exhibition of the same name shown at the Walker Art Gallery, Liverpool, and the Yale Center for British Art, New Haven in 2007-8."--BOOK JACKET.
A catalouge of the unique collection of modern and contemporary prints and drawings of film critic and author Alexander Walker (1930-2003). Features artists inlcuding Pablo Picasso, Henri Matisse, Bridget Riley, Lucian Freud, Chuck Close, Philip Guston and Vija Celmins.
Alan Turing is a patron saint of Manchester, remembered as the Mancunian who won the war, invented the computer, and was all but put to death for being gay. Each myth is related to a historical story. This is not a book about the first of those stories, of Turing at Bletchley Park. But it is about the second two, which each unfolded here in Manchester, of Turing's involvement in the world's first computer and of his refusal to be cowed about his sexuality. Manchester can be proud of Turing, but can we be proud of the city he encountered?
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This volume offers over 200 colour plates of Sir Paul McCartney's work, which is largely expressionistic and often abstract. He brings to his painting the same humour, enthusiasm and enjoyment that are present in his music.
"Published on the occasion of the exhibition Question the Wall Itself, curated by Fionn Meade with Jordan Carter and organized by the Walker Art Center, Minneapolis"--Colophon.
Published to accompany an exhibition at the Millais Gallery, Southampton Institute, Southampton, 2002.
In 1975 Paul Trevor came to Liverpool to document inner city deprivation for the 'Survival Programmes' project. His remarkable photographs told a different story however. Their backdrop may be the dereliction of post-war Liverpool. But these images went beyond this bleak cityscape and got close to his real subject: families and children. This exhibition of Paul's direct and honest street photography showed life as it was lived in a community defiant in the face of poverty, unemployment and the state of their surroundings. He depicted a place where the streets and wastelands became playgrounds, the family was a constant, and where children seem fun-loving and free. Paul returned to the same Liverpool communities in the summer of 2010. After a lively reunion with local residents, one said: "Paul, it's like you've never been away!" -- Exhibition website.