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In The Tragedy of Philosophy Andrew Cooper challenges the prevailing idea of the death of tragedy, arguing that this assumption reflects a problematic view of both tragedy and philosophy—one that stifles the profound contribution that tragedy could provide to philosophy today. To build this case, Cooper presents a novel reading of Immanuel Kant's Critique of Judgment. Although this text is normally understood as the final attempt to seal philosophy from the threat of tragedy, Cooper argues that Kant's project is rather a creative engagement with a tragedy that is specific to philosophy, namely, the inevitable failure of attempts to master nature through knowledge. Kant's encounter with the...
giacinty-plexyx-plescia/cripteventy/book. vol. 2, LONDON:Lulu, ISBN: 9780244660703plescia g (2018). giacinty-plexyx-plescia/esserepoiesis/book. vol. 2, LONDON:Lulu, ISBN: 9780244360498plescia g (2018). giacinty-plexyx-plescia/esserepoiesix/paperback. vol. 1, LONDON:Lulu, ISBN: 9780244660482plescia g (2018). giacinty-plexyx-plescia/esserly/paperback. vol. 1, LONDON:Lulu, ISBN: 9780244958893plescia g (2018). giacinty-plexyx-plescia/esserlì/book. vol. 2, LONDON:Lulu, ISBN: 9780244358907plescia g (2018). giacinty-plexyx-plescia/eventopoiesistringx/book. vol. 2, LONDON:Lulu, ISBN: 9780244660123plescia g (2018). giacinty-plexyx-plescia/eventopoiesix/paperback. vol. 1, London:Lulu, ISBN: 9780244360122plescia g (2018). giacinty-plexyx-plescia/katastrophy/paperback. vol. 1, LONDON:Lulu, ISBN: 9780244959647plescia g (2018). giacinty-plexyx-plescia/krypteventy/paperback. vol. 1, LONDON: Contraeventy: Contraevento ....Contraenty
This title provides a novel interpretation of the Aristotelian understanding of work in light of the philosophy of Martin Heidegger.
Continental philosophy has traditionally seen philosophy as historical, claiming that there are no new beginnings in the discipline, and that we must revisit the work of earlier thinkers again and again. Yet, continental philosophers rarely argue explicitly for their view of philosophy's past, and the discussions of the topic that exist tend to be riddled with confusion. Here, Robert Piercey asks why, and explores what the continental tradition must do to come to terms with this crisis. Piercey traces the confusion about history back to Hegel, who he argues sends a mixed message about historical thinking, one that is later adopted by Heidegger and then passed on to his successors. In addition to telling the story of this crisis, Piercey offers an account of historical thinking that does not lead to the difficulties that currently plague the continental tradition. The result is a highly original look at the development of continental thought and the nature of philosophy's historical turn.
This book argues that the theory of force elaborated in Immanuel Kant's aesthetics (and in particular, his theorization of the dynamic sublime) is of decisive importance to poetry in the nineteenth century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential nineteenth-century writers in their respective national traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold. The result is a fine elucidation of Kantian theory and a fresh account of poetic language and its aesthetic, ethical, and political possibilities.
The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer.
This book demonstrates that the kind of philosophy called Continental thought belongs to America in its own right. It reflects the depth, originality, and revolutionary character of Sallis's "re-doing" imagination—of his twisting imagination free from a metaphysics of presence and of subjectivity. The book includes essays by Walter Biemel, Peg Birmingham, Walter Brogan, Françoise Dastur, Jacques Derrida, Parvis Emad, Eliane Escoubas, Bernard Freydberg, Rodolphe Gasché, Michel Haar, John Llewelyn, Kenneth Maly, Adriaan Peperzak, James Risser, and Charles Scott. This array of contributors demonstrates the place that Sallis's work has on the forefront of contemporary Continental thought. The book concludes with an original piece by John Sallis himself, in which he thinks the philosophical sense of wonder in Aristotle, Plato, Hegel, the end of metaphysics, and Heidegger.
This volume of essays on the philosopher John Sallis assesses his wide ranging and genuinely original contribution to philosophy. Along with the response to the essays by Sallis, these essays indicate directions for the future of philosophy.
Kant's Dog provides fresh insight into Borges's preoccupation with the contradiction of the time that passes and the identity that endures. By developing the implicit logic of the Borgesian archive, which is most often figured as the universal demand for and necessary impossibility of translation, Kant's Dog is able to spell out Borges's responses to the philosophical problems that most concerned him, those of the constitution of time, eternity, and identity; the determination of original and copy; the legitimacy of authority; experience; the nature of language and the possibility of a decision; and the name of God. Kant's Dog offers original interpretations of several of Borges's best known...
Despite a sustained and fruitful relationship with the classical philologists of his day, Martin Heidegger's status among classicists has long since been strained, especially in the Anglophone tradition. Heidegger and Classical Thought reemphasizes both Heidegger's importance to classical discourse and the significance of classical discourse for Heidegger's own work. The essays found in this book demonstrate the depth and breadth of Heidegger's engagement with classical thought throughout his life, from his early engagements with Aristotle and Plato to his profound readings of the early Greek thinkers. At the same time, this book shows how reading Heidegger's interpretation of classical thought offers new and innovative ways to approach and study antiquity.