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Letters of Robert MacKay to His Wife
Published in 1949, this selection of letters between Robert Mackay, and his wife, Eliza Anne Mackay, provide unique insight into the life of a southern merchant during the early part of the nineteenth century. The Mackay's correspondence covers business, friendships, social life, and family, in addition to historical events unfolding at the time. The letters in this volume were sent from the Mackay's hometown of Savannah and from such port cities as Norfolk, Charleston, New York, London, and Liverpool.
The Houstouns of Georgia
The Houstouns of Georgia shares the history of one of the oldest families in Georgia, showcasing its influential members and reflecting on the effect of one family throughout the state's history. Established by Sir Patrick Houstoun, who accompanied James Oglethorpe and helped him lay the foundations of the colony, the Houstoun family has called Georgia home since its inception. Over two hundred years after its founding, the author of The Houstouns of Georgia traces her own lineage back to the Houstoun family in her heavily researched account of the family’s presence in Georgia from its founding onward. The Georgia Open History Library has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this collection, do not necessarily represent those of the National Endowment for the Humanities.
The Common Wind
Winner of the 2019 Stone Book Award, Museum of African American History A remarkable intellectual history of the slave revolts that made the modern revolutionary era The Common Wind is a gripping and colorful account of the intercontinental networks that tied together the free and enslaved masses of the New World. Having delved deep into the gray obscurity of official eighteenth-century records in Spanish, English, and French, Julius S. Scott has written a powerful “history from below.” Scott follows the spread of “rumors of emancipation” and the people behind them, bringing to life the protagonists in the slave revolution.By tracking the colliding worlds of buccaneers, military dese...
Slavery, Secession, and Southern History
Heir to changing views of slavery in the US South sparked by Eugene Genovese's Marxist analyses, ten original essays probe philosophical, socioeconomic, and literary issues of slavery. Appends 1990s interviews with Genovese and a list of his principal writings. Pacquette and Ferleger teach history at Hamilton College and Boston U., respectively. Annotation copyrighted by Book News, Inc., Portland, OR
Old World, New World
Old World, New World: America and Europe in the Age of Jefferson grew out of workshops in Salzburg and Charlottesville sponsored by Monticello’s International Center for Jefferson Studies, and revisits a question of long-standing interest to American historians: the nature of the relationship between America and Europe during the Age of Revolution. Study of the American-European relationship in recent years has been moved forward by the notion of Atlantic history and the study of the Atlantic world. The present volume makes a fresh contribution by refocusing attention on the question of the interdependence of Europe and America. Old World, New World addresses topics that are timely, given contemporary public events, but that are also of interest to early modern and modern historians. By turning attention from the Atlantic World in general to the relationship between America and Europe, as well as using Thomas Jefferson as a lens to examine this relationship, this book carves out its own niche in the history of the Atlantic world in the age of revolution.
Haunted Bodies
In Haunted Bodies, Anne Goodwyn Jones and Susan V. Donaldson have brought together some of our most highly regarded southern historians and literary critics to consider race, gender, and texts through three centuries and from a wealth of vantage points. Works as diversive as eighteenth-century court petitions and lyrics of 1970s rock music demonstrate how definitions of southern masculinity and femininity have been subject to bewildering shifts and disabling contradictions for centuries.
Picturing Savannah
This catalogue for the Telfair Museum of Art’s exhibition Picturing Savannah: The Art of Christopher A. D. Murphy provides valuable information on Murphy’s life and career, documenting four decades of his finest work in all media: oils, watercolors, etchings, and pencil and charcoal drawings. Born in 1902, Murphy was one of Savannah’s most accomplished and beloved artists. After studying in New York City at the Art Students League, he returned to his native Savannah. He taught privately at the Telfair Academy of Arts and Sciences and at Armstrong College (now Armstrong Atlantic State University). In 1929, he helped found the Association of Georgia Artists and in 1947 he collaborated wi...
An Anxious Pursuit
In An Anxious Pursuit, Joyce Chaplin examines the impact of the Enlightenment ideas of progress on the lives and minds of American planters in the colonial Lower South. She focuses particularly on the influence of Scottish notions of progress, tracing the extent to which planters in South Carolina, Georgia, and British East Florida perceived themselves as a modern, improving people. She reads developments in agricultural practice as indices of planters' desire for progress, and she demonstrates the central role played by slavery in their pursuit of modern life. By linking behavior and ideas, Chaplin has produced a work of cultural history that unites intellectual, social, and economic histor...
The Savannah College of Art and Design: Restoration of an Architectural Heritage
In 1979, a small art college with 71 students opened its doors in a renovated 19th-century building in the urban heart of colonial Savannah, Georgia. One of the most historic cities on the eastern seaboard, Savannah is noted for its architectural treasures, urban forest and verdant squares, and for the unique 1733 city plan designed by General Oglethorpe. The campus fabric of the Savannah College of Art and Design (SCAD) grew from the Romanesque revival Savannah Volunteer Guards Armory, designed by Boston architect William Gibbons Preston in 1892, to comprise some 60 rehabilitated historic structures situated within four historic districts. Currently, more than 6,200 students pursue their dreams in this wonderful setting.
