Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The "Alexandreis" of Walter of Châtilon
Written sometime in the 1170s, Walter of Chatillon's Latin epic on the life of Alexander the Great loomed as large on literary horizons as the works on Jean de Meun, Dante, or Boccaccio. Within a few decades of its composition, the poem had become a standard text of the literary curriculum. Virtually all authors of the thirteenth through fifteenth centuries knew the poem. And an extraordinary two hundred surviving manuscripts, elaborately annotated, attest both to the popularity of the Alexandreis and to the care with which it was read by its medieval audience.
Intellectual Life in the Middle Ages
The variety of experience available to medieval scholars and the vitality of medieval thought are both reflected in this collection of original essays by distinguished historians. Intellectual Life in the Middle Ages is presented to Margaret Gibson, whose own work has ranged from Boethius to Lanfranc and to the study of the Bible in the middle ages.
A History of Anglo-Latin Literature, 1066-1422
A comprehensive of medieval Anglo-Latin literature.
The Alexandreis
Walter of Châtillon’s Latin epic on the life of Alexander the Great was a twelfth- and thirteenth-century “best-seller:” scribes produced over two hundred manuscripts. The poem follows Alexander from his first successes in Asia Minor, through his conquest of Persia and India, to his progressive moral degeneration and his poisoning by a disaffected lieutenant. The Alexandreis exemplifies twelfth-century discourses of world domination and the exoticism of the East. But at the same time it calls such dreams of mastery into question, repeatedly undercutting as it does Alexander’s claims to heroism and virtue and by extension, similar claims by the great men of Walter’s own generation. This extraordinarily layered and subtle poem stands as a high-water mark of the medieval tradition of Latin narrative literature. Along with David Townsend’s revised translation, this edition provides a rich selection of historical documents, including other writings by Walter of Châtillon, excerpts from other medieval Latin epics, and contemporary accounts of the foreign and “exotic.”
The Tongue of the Fathers
Although historians and scholars of vernacular medieval literatures have increasingly focused on constructions of gender, sex, and sexuality, specialists in medieval Latin have been largely isolated from such developments. Much scholarship on medieval Latin has remained grounded in the methodologies of the "old" philology. When readers from other disciplines have looked to Latin texts they have, in turn, used them mostly as benchmarks against which to measure the innovations of the vernacular. The Tongue of the Fathers forges a stronger and more productive relationship between medieval Latin and gender studies. David Townsend, Andrew Taylor, and their collaborators focus on the representatio...
A Companion to Alexander Literature in the Middle Ages
Never before has there appeared in English such a collection of essays concerning Alexander the Great's legacy in world literature. From Greek and Latin works of the Classical Period through Medieval texts in Syriac, Persian, Coptic, Arabic, Ethiopic and Hebrew, as well the European languages, the fourteen chapters cover the gamut of Alexander literary studies as compiled by some of the foremost scholars in each field, bringing the reader up-to-date on everything Alexander. These experts share their results after years of investigation in the field, and, in doing so, point the reader toward the essence of each of the myriad of Alexander romances, while at the same time including copious notes and bibliography to prepare the reader for his or her own Alexander journey. Contributors include: Richard Stoneman, Saskia Dönitz, Daniel Selden, Josef Wiesehöfer, David Ashurst, Laurence Harf-Lancner, Danielle Buschinger, Juan Pedro Monferrer Sala, Roberta Morosini, Maura Lafferty, Peter Kotar, David Zuwiyya
Who's Who in the Middle Ages
From Abelard to Zubaydah, here is a biographical dictionary of notable men and women of the Middle Ages. Hundreds of entries span the fifth to the fifteenth centuries, covering a broad range of creative, vigorous, and influential people from Europe and the Middle East. Each entry includes both personal and historical details, alternate name spellings, and references for further reading. A rich selection of appendices includes a chronology of events; a chronology of popes, emperors and monarchs; a list of colleges and universities of the Middle Ages; a list of major monasteries, abbeys, and convents and an alphabetical list of individuals by occupation.
Laughter and Power in the Twelfth Century
Towards the end of the twelfth century, powerful images of laughing kings and saints began to appear in texts circulating at the English royal court. At the same time, contemporaries began celebrating the wit, humour, and laughter of King Henry II (r.1154-89) and his martyred Archbishop of Canterbury, Saint Thomas Becket (d.1170). Taking a broad genealogical approach, Laughter and Power in the Twelfth Century traces the emergence of this powerful laughter through an immersive study of medieval intellectual, literary, social, religious, and political debates. Focusing on a cultural renaissance in England, the study situates laughter at the heart of the defining transformations of the second h...
Chaucer and Medieval Estates Satire
This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether `life' or 'literature' was Chaucer's model in this work, on the relationship between Chaucer's twenty-odd pilgrims and the structure of medieval society, and on the role of their `estate' in determining the elements of which Chaucer composes their portraits. On the other hand, it makes suggestions about the ways in which Chaucer convinces us of the individuality of his pilgrims, about the nature of his irony, and the kind of moral standards implicit in the Prologue. This book suggests that Chaucer is ironically substituting for the traditional moral view of social structure a vision of a world where morality becomes as specialised to the individual as his work-life.
