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Former President of the Republic of Haiti, former Commander-in-Chief of the Haitian Army, former scholar at at the US Marine Corps Schools (Quantico, VA), and the United States Naval Intelligence School (Anacostia, VA), qualified in law, career officer during 30 years which coincided with a deeply tormented period of national history, Prosper Avril brings the opinions of a privileged witness, a meticulous observer, an inquisitive researchist, and a leading actor to the debate about a subject that concerns all Haitians and creates much interest with foreign researchers, historians and observers -- the recent dismantling of the Haitian Army. From Glory to Disgrace: The Haitian Army - 1804, 199...
This book profiles 24 athletes who overcame seemingly insurmountable medical odds to attain athletic success. Each profile describes the athlete's problem, the medical issues he or she faced, how success was achieved despite the setback, and the personal qualities that helped the athlete to prevail. Part I features 15 athletes who dealt with diseases and physical disabilities, including Babe Didrikson Zaharias (cancer), Ron Santo (diabetes), Gail Devers (Graves' disease), Alonzo Mourning (kidney disease), Wilma Rudolph (polio), Scott Hamilton (a pancreatic disorder in childhood) and Jimmy Abbott (born with one hand). Part II highlights nine athletes who dealt with near-fatal or life-changing accidents and injuries, including Bill Toomey, Three-Finger Brown, Greg LeMond, Lou Brissie and Tommy John.
Of all the New York Yankees championship teams, the 1947 club seemed the least likely. Bridging the gap between the dynasties of Joe McCarthy and Casey Stengel, the team, managed by Bucky Harris, was coming off three non-pennant-winning seasons and given little chance to unseat the defending American League champion Boston Red Sox. And yet, led by Joe DiMaggio, this un-Yankees-like squad of rookies, retreads, and a few solid veterans easily won the pennant over the Detroit Tigers and the heavily favored Red Sox, along the way compiling an American League-record nineteen-game winning streak. They then went on to defeat the Brooklyn Dodgers in a dramatic seven-game World Series that was the fi...
Our understanding of music is inherently metaphorical, and metaphoricity pervades all sorts of musical discourses, be they theoretical, analytical, philosophical, pedagogical, or even scientific. The notions of "body" and "force" are the two most pervasive and comprehensive scientific metaphors in musical discourse. Throughout various intertwined contexts in history, the body–force pair manifests multiple layers of ideological frameworks and permits the conceptualization of music in a variety of ways. Youn Kim investigates these concepts of body and force in the emerging field of music psychology in the late nineteenth and early twentieth centuries. The field’s discursive space spans diverse contexts, including psychological theories of auditory perception and cognition, pedagogical theories on the performer’s bodily mechanism, speculative and practical theories of musical rhythm, and aesthetical discussion of the power of music. This investigation of body and force aims to illuminate not just the past scene of music psychology but also the notions of music that are being constructed at present.