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An intense psychological novel, this book focuses on a young woman’s dependence on her husband and her attempts to forge an independent life for herself. Rosa, a frail, sensitive American Jew living in Paris, marries an alcoholic expatriate from Chile and finds herself trapped in a sadomasochistic relationship. Amid a series of fast-moving events—the birth of their daughter, moving to Rosa’s parents’ home and then to Sausalito, California, and various sexual encounters—this narrative explores Antonio’s fears and failures as well as Rosa’s implicit trust in him to direct her life. Ultimately, Rosa begins to question her relationship with her husband and her parents.
Extending the story of the troubled life of Rosa, a character first developed by the author in "Longing," this novel describes her difficult relationship with her mother, Eleanor. Rosa's story unfolds as though in a parallel world: dogged by the same obsessions as her mother and resorting to sex and madness as elements of destruction. At the core of their tension is the illicit affair Eleanor has had with her daughter s husband, Antonio. Both Rosa and Eleanor find the defining focal point in the same man, whose gift for interpreting the longing of others means his own bitter destruction. Narrated in two voices from perspectives of both women, this novel describes both their lives in depth, covering a span of nearly 70 years during which the world around them undergoes enormous change."
This gripping novel of adventure, love, and religious persecution follows the life and flight of a Jew under the Spanish Inquisition.
Edited by three well known academics and contributed to by J. Smithin, L. Moss and G.C. Harcourt, this text reflects the breath of the honouree‘s interests, covering political economy, labour economics, history of economic thought and macroeconomics.
Provides short biographies of Latino American writers and journalists and information on their works.
Woody Allen, Mel Brooks, Sidney Lumet, and Paul Mazursky, all sons of East European Jews, remain among the most prominent contemporary American film directors. In this revised, updated second edition of American Jewish Filmmakers, David Desser and Lester D. Friedman demonstrate how the Jewish experience gives rise to an intimately linked series of issues in the films of these and other significant Jewish directors. The effects of the Holocaust linger, both in gripping dramatic form (Mazursky's Enemies, a Love Story) and in black comedy (Brooks's The Producers). In his trilogy consisting of Serpico, Prince of the City, and Q&A, Lumet focuses on the failure of society's institutions to deliver social justice. Woody Allen portrays urban life and family relationships (Manhattan and Hannah and Her Sisters), sometimes with a nostalgic twist (Radio Days). This edition concludes with a newly written discussion of the careers of other prominent Jewish filmmakers such as Steven Spielberg, Barry Levinson, Brian Singer, and Darren Aronofsky.
No decade before or since witnessed cultural, technical, and social changes as dramatic as the 1960s. Pop culture reflected a transition from the rigid 1950s to the permissive 1970s. The Vietnam War spawned student protests, draft card burning, and a hippie counter-culture. Caught up in these turbulent times was author Sam Perone, a nave young professor beginning his career at the tender age of twenty-threeyoung enough to run in student circles. Perones unlikely arrival in 1962 at a prestigious universitylacking credentials and experiencelaunched an erratic journey laced with angst, liberating diversions, exciting research, bitter conflicts, dismal failures, and exhilarating successes. In Tu...