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In 1860, a 70 year old widow turned landlady named Mary Emsley was found dead in her own home, killed by a blow to the back of her head. What followed was a murder case that gripped the nation, a veritable locked room mystery which baffled even legendary Sherlock Holmes author, Arthur Conan Doyle. With an abundance of suspects, from disgruntled step children concerned about their inheritance and a spurned admirer repeatedly rejected by the widow, to a trusted employee, former police officer and spy, the case led to a public trial dominated by surprise revelations and shock witnesses, before culminating with one of the final public executions at Newgate. This is the case Conan Doyle couldn’t solve and, after confounding the best detectives for years, has finally be solved by author Sinclair McKay. Discover 'whodunit' as the real murderer is revealed for the first time exclusively in this captivating study of a murder case in the nineteenth century, a story never told before.
“If you have not guessed my name by month’s end, then you shall be mine!” In this classic English folktale, our heroine eats too many pies - which leads to her marrying a king who only wants her for her skills as a spinster - which leads to her making a deal with a diminutive, magical creature in order to save her life! Can she guess the name of her helper in time? Or will he succeed in claiming her as his own? The sequel, ‘The Gipsy Woman’, is set a year later and finds the queen once more charged with the task of spinning five skeins, daily, for a month. Help arrives in the form of a gipsy woman but can she be trusted? This book contains two versions of the each tale: one in modern day English, and the other, as told originally, in the dialect of East Anglia. [Folklore Type: ATU-500 (The Name of the Helper)]
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schw...
Reprint of the original, first published in 1843.