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What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.
Outstanding were the large-scale works dealing with aerial warfare of England by Paul Nash, a survivor of the Western Front. Three exceptionally talented war artists were killed; Eric Ravilious, whose subjects ranged from northern convoys and submarines to the Fleet Air Arm; Albert Richards, who painted paratroopers and tank-battles during the advance into Germany; and Thomas Hennell, who began work in trawlers off Iceland and was last seen in Java. The war in Europe, the Middle East and Burma was recorded variously by Edward Bawden, Anthony Gross, Edward Ardizzone and William Coldstream. Leonard Rosoman drew aircraft on the flight-decks of carriers in Japanese waters, Barnett Freedman produced studies of submarine and battleship crews. Some of the most dramatic paintings of the war were those made by Richard Eurich of preparations for D-Day. In almost every case active service had a crucial effect on the subsequent work of war artists.
In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which armed conflict has been represented by artists. Covering the last two centuries, from the Crimean War to the present day, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, troubled, and perhaps truthful depiction of warfare and its consequences. The book investigates broad patterns as well as specific genres and themes of war art, and features more than 400 color illustrations by...
* Each artist's work is accompanied by their own, first-hand account of war in Afghanistan* Captures the vast scale and stunning, fertile beauty of the Afghan landscape'I felt physically sick from the pit of my stomach and to be honest was now feeling vulnerable and completely outside my depth of knowledge. The world had seemingly gone mad and I was having visions of the base now being ransacked; I was confused and unsure what to do. My solution was to do the only thing that I could do. I climbed the nearest sangar and started to draw.' - Jules GeorgeJules George, war artist, traveled to Helmand, Afghanistan, in 2010, in the wake of its bloodiest year for British troops. War Artists in Afgha...
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Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
During the Second World War, British artists produced over 6,000 works of war art, but this is not a book about art, rather the stories of nine courageous war artists who ventured closer to the front line than any others in their profession. Edward Ardizzone, Edward Bawden, Barnett Freedman, Anthony Gross, Thomas Hennell, Eric Ravilious, Albert Richards, Richard Seddon, and John Worsley all travelled abroad into the dangers of war to chronicle events by painting them. They formed a close bond, yet two were torpedoed, two were taken prisoner and three died, two in 1945 when the war was nearly over. Men who had previously made a comfortable living painting in studios were transformed by military uniforms and experiences that were to shape the rest of their lives, and their work significantly influenced the way in which we view war today. Portraying how war and art came together in a moving and dramatic way, and incorporating vivid examples of their paintings, this is the true story behind the war artists who fought, lived and died for their art on the front line of the Second World War.
Sun Tzu's The Art of War is still one of the world's most influential treatises on strategic thought. Applicable everywhere from the boardroom to the bedroom, from the playing field to the battlefield, its wisdom has never been more highly regarded. Now available in its complete form, including the Chinese characters and English text, this essential examination of the art of strategic thinking features extensive commentary and an insightful historical introduction written by Lionel Giles, its original translator. This new edition includes an all-new introduction by the scholar of ancient Chinese literature, John Minford.
Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.