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First World War Photographers
The photographs of the First World War offer an extraordinary range of images, and in this book Jane Carmichael draws on her great expertise and knowledge in this area to look at how those photographs came to be taken. She examines the work of the official, press and amateur photographers, and reproduces over 100 photographs from the archive of the Imperial War Museum, one of Britain's great photographic collections. She focuses on the growing use of the photograph as a medium for the masses and as a historical document, making us aware of the operations of propaganda and journalism during the period and enhancing our appreciation of the photographic documents of the war.
Conflicting Images
In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colo...
War Photographers
IWM holds approximately 11 million photographs in its archives, covering the causes, course and consequences of modern conflict from the First World War to the present day. Since the First World War, both official and unofficial war photographers have documented the visceral, sensory and emotional experiences of war, from combat to medical innovation, to privation, friendship and loss. War Photographers showcases 50 images from IWM's unique collection that present photographers as both witnesses and participants in conflict. This selection features iconic photographs from the revolutionary Olive Edis, images from Bill Brandt's Blitz series and works by official Photograph Units across a range of theatres
War Photography
What makes news patriotic? How is photojournalism used in wartime? In a national crisis, the press operates under various forms of censorship. Within these constraints, it continues to produce news in line with what is considered newsworthy. Everyday ‘human interest’ photographs and stories, which tell of bizarre, comic or tragic events, are turned to patriotic ends. The subject of death is transformed by its use in saving the nation; it is accompanied and displaced by more comforting ideas. Originally published in 1991, with the help of full-page illustrations from newspapers and journals, John Taylor looks at the special truth of war news, how it is built on established ways of storyte...
The Camera at War
Text and more than 300 photographs trace the evolution of war photography from the 1840s to the present, with an explanation of the changing role of the photographer and an introduction to the men and women who developed this art form.
The War Photographers
1943 – Bletchley Park, England Mae Webster, immersed in the clandestine world of codebreaking at Bletchley Park, is recruited to help unveil a spy who’s on the brink of exposing Britain's most guarded secret: the cracking of the Enigma code. As war rages around her, Mae's life takes an unexpected turn when she falls in love with the enigmatic New Zealand war photographer Jack Knight. Their relationship develops at pace, but tragedy strikes when one of Jack's photographs risks unmasking an elusive double agent. 1989 – Berlin, Germany Rachel Talbot, a globetrotting photojournalist, ventures into the heart of a fractured Berlin in search of the Stasi officer whom her beloved grandmother Mae blames for betraying their family. Rachel finds herself entangled in the East German uprising and is irresistibly drawn to a charismatic activist. As the Cold War threatens to boil over, Rachel races to expose a traitor before it’s too late.
Women War Photographers
Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, wh...
War and Photography
Drawing on the work of Barthes, Eco, Foucault, Baudrillard, Burgin and Tagg, and on the historians of mentalities, War and Photography presents a theoretical approach to the understanding of press photography in its historical and contemporary context. Brothers applies her argument with special reference to French and British newspaper images of the Spanish Civil War, a selection of which is presented in the book. Rejecting analyses based upon the content of the images alone, she argues that photographic meaning is largely predetermined by its institutional and cultural context. Acting as witnesses despite themselves, photographs convey a wealth of information not about any objective reality, but about the collective attitudes and beliefs particular to the culture in which they operate.
Lee Miller, Photography, Surrealism and the Second World War
Lee Miller (1907-1977) was an American-born Surrealist and war photographer who, through her role as a model for Vogue magazine, became the apprentice of Man Ray in Paris, and later one of the few women war correspondents to cover the Second World War from the frontline. Her comprehensive understanding of art enabled her to photograph vivid representations of Europe at war – the changing gender roles of women in war work, the destruction caused by enemy fire during the London Blitz, and the horrors of the concentration camps – that embraced and adapted the principles and methods of Surrealism. This book examines how Miller’s war photographs can be interpreted as ‘surreal documentaryâ...
War Photography
A collection of striking images of conflict from the world's most talented and courageous war photographers. These photographs of battle from the beginning of the 20th century to the present day convey the horror and the pity of war as seen by those who were there to document it.
