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From the #1 New York Times bestselling author of Restart, a story of telling truth from lies -- and finding out what being a hero really means. There are two things Trevor loves more than anything else: playing war-based video games and his great-grandfather Jacob, who is a true-blue, bona fide war hero. At the height of the war, Jacob helped liberate a small French village, and was given a hero's welcome upon his return to America.Now it's decades later, and Jacob wants to retrace the steps he took during the war -- from training to invasion to the village he is said to have saved. Trevor thinks this is the coolest idea ever. But as they get to the village, Trevor discovers there's more to the story than what he's heard his whole life, causing him to wonder about his great-grandfather's heroism, the truth about the battle he fought, and importance of genuine valor.
Specially commissioned by Michael Morpurgo to mark the 60th anniversary of VE day, this deeply moving collection features stories of war from the most well-loved voices in children's literature, including Michelle Magorian, Celia Rees, George Layton, Robert Westall, Joan Aiken, Eva Ibbotson, Geraldine McCaughrean and other top children's authors. From World War II to the Crusades, 1970s Beirut to the modern-day Middle East, these vivid stories explore wars throughout history. They examine not only the immediate consequences of war, but also what happens after the fighting is over. Waiting for Peace: War Stories was originally published as War: Stories of Conflict.
Situated on Europe’s northern periphery, Denmark, Finland, Iceland, Norway, and Sweden found themselves caught between warring powers during World War II. Ultimately, these nations survived the conflict as sovereign states whose wartime experiences have profoundly shaped their historiography, literature, cinema and memory cultures. Nordic War Stories explores the commonalities and divergences among the five Nordic countries, examining national historiographies alongside representations of the war years in canonical literary works, travel writing, and film media. Together, they comprise a valuable companion that challenges the myth of Scandinavian homogeneity while demonstrating the powerful influence that the war continues to exert on national identities.
Having joined the BBC as a trainee in 1984, Jeremy Bowen first became a foreign correspondent four years later. He had witnessed violence already, both at home and abroad, but it wasn't until he covered his first war -- in El Salvador -- that he felt he had arrived. Armed with the fearlessness of youth he lived for the job, was in love with it, aware of the dangers but assuming the bullets and bombs were meant for others. In 2000, however, after eleven years in some of the world's most dangerous places, the bullets came too close for comfort, and a close friend was killed in Lebanon. This, and then the birth of his first child, began a process of reassessment that culminated in the end of the affair. Now, in his extraordinarily gripping and thought-provoking new book, he charts his progress from keen young novice whose first reaction to the sound of gunfire was to run towards it to the more circumspect veteran he is today. It will also discuss the changes that have taken place in the ways in which wars are reported over the course of his career, from the Gulf War to Bosnia, Afghanistan to Rwanda.
A collection of moving stories from the First and Second World War published in association with the Imperial War Museum. These twenty-two stories recount some of the most heroic, devastating and pivotal moments of the World Wars providing young readers with an insight into the human stories behind the conflicts. "A truly moving collection of tales. From spies and secret plots to snipers and zeppelin raids, it brings history alive with real heroes." - tbk Magazine
View more details of this book at www.walkerbooks.com.au
How does the American public formulate its opinions about U.S. foreign policy and military engagement abroad? War Stories argues that the media systematically distort the information the public vitally needs to determine whether to support such initiatives, for reasons having more to do with journalists' professional interests than the merits of the policies, and that this has significant consequences for national security. Matthew Baum and Tim Groeling develop a "strategic bias" theory that explains the foreign-policy communication process as a three-way interaction among the press, political elites, and the public, each of which has distinct interests, biases, and incentives. Do media repr...
Howard Nemerov has written often about wars great and small, the overtly political and the deeply personal. But only with the passage of time, a heightening of technique and deepening of insight, has he been able to write from his experience in World War II as he does here, where historical past and personal history finally dovetail. From "The War in the Heavens" to "The War in the Streets," Nemerov chronicles with devastating grace the harrowing of life. "These new poems of Howard Nemerov are the poems of a master at his best. What is more, they are accessible. They speak out in a beautiful unclouded voice of the experience of a flyer of the Second World War. Although as 'war poems' they ta...
Chronicles the joint effort of the U.S. government, the publishing industry, and the nation's librarians to boost troop morale during World War II by shipping more than one hundred million books to the front lines for soldiers to read during what little downtime they had.
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