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Creative Nation
The chapters presented in this Reader, drawing on recent works, explore and analyse dynamic subject matter such as family, moral values, cultural hybridity, Asian-Australian dialogues, gender and racial stereotypes, the representations of Australianness, Indigenous Australia, imagery and motifs, the variety of Australian national symbols, mythology, traditions, representation or development of outback or suburban and metropolitan spaces in Australian cinema and culture. For a better understanding of the breadth and depth of Australia and its culture, the papers selected in this book also examine the exhibition of the Australian artist's aesthetic experimentation in the various faces of the A...
Touched Bodies
Polgovsky Ezcurra examines the politics and ethics of intermedial performance in Latin America during the "long 1980s". Looking at the work of artists from Argentina, Chile, and Mexico, she examines the flourishing of performance art in times of authoritarianism and the ways in which performative gestures animated a range of artistic practices, including collage, poetry, sculpture, mail art, and cybernetic art.
Spain After the Indignados/15M Movement
Spain After the Indignados/15M Movement explores how the aftershocks of the 2007 Great Recession restructured Spain’s political sphere and political imaginary. It brings together a representative sample of Spain’s leading progressive voices, including two of the five founding members of the Podemos party. The essays herein explore the areas of economics, politics, ecology, social change, media, and cultural politics in order to present a broad, critical account of contemporary Spain, with a special emphasis on emerging forms of sociopolitical contestation, self-organizing, democratic participation, and radical politics. The edited volume argues that Spanish cultural studies—which originally gravitated toward celebratory accounts of capitalist modernization, the cultural Movida and the advent of a postmodern Spain—must continue to build a new cultural politics that not only challenges the accepted narrative of the Spanish Transition to democracy, but that is committed to confronting the civilizatory challenges currently faced.
Genre, Frames and Writing in Research Settings
This book presents a perspective on genre based on what it is that leads users of a language to recognise a communicative event as an instance of a particular genre. Key notions in this perspective are those of prototype, inheritance, and intertextuality; that is, the extent to which a text is typical of the particular genre, the qualities or properties that are inherited from other instances of the communicative event, and the ways in which a text is influenced by other texts of a similar kind. The texts which form the basis of this discussion are drawn from experimental research reporting in English. Contents: 1. Introduction 2. Approaches to genre 3. Genre and frames 4. A sample analysis: Writing up research 5. Summary and conclusions.
People and Places of Nature and Culture
Using the rich and vital Australian Aboriginal understanding of country as a model, People and Places of Nature and Culture affirms the importance of a sustainable relationship between nature and culture. While current thought includes the mistaken notion—perpetuated by natural history, ecology, and political economy—that humans have a mastery over the Earth, this book demonstrates the problems inherent in this view. In the current age of climate change, this is an important appraisal of the relationship between nature and culture, and a projection of what needs to change if we want to achieve environmental stability.
The Western in the Global South
The Western in the Global South investigates the Western film genre's impact, migrations, and reconfigurations in the Global South. Contributors explore how cosmopolitan directors have engaged with, appropriated, and subverted the tropes and conventions of Hollywood and Italian Westerns, and how Global South Westerns and Post-Westerns in particular address the inequities brought about by postcolonial patriarchy, globalization and neoliberalism. The book offers a wide range of historical engagements with the genre, from African, Caribbean, South and Southeast Asian, Central and South American, and transnational directors. The contributors employ interdisciplinary cultural studies approaches to cinema, integrating aesthetic considerations with historical, political, and gender studies readings of the international appropriations and U.S. re-appropriations of the Western genre.
Animate(d) Architecture
At their peak, architectural marvels such as the Sagrada Família, the Tower of London, the Mosque–Cathedral of Córdoba, and the Eiffel tower, had a combined annual visit of almost 16.4 million people. The animated icebound castle in Disney’s (2019) Frozen had 116.4 million views, from one single YouTube trailer, in less than 24 hours. The spaces of such massively consumed animation have for generations informed the architectural imagination of people across the globe and from very early in their lives. Yet, not only have the architectural disciplines remained rather absent in the design of these massively consumed spaces, architectural theory has likewise failed to articulate a framewo...
Media, Power and Empowerment
This collection brings together 71 papers by 83 authors from 20 countries presented at the 5th Central and Eastern European Communication and Media Conference, titled “Media, Power and Empowerment”, in Prague, Czech Republic, in April 2012. It maps out trends in CEE media research across the entire region and provides insight into the broad span of relevant topics. The contributors to the volume successfully voice the multiple, yet specific, questions relevant to the CEE countries; the papers offer original research results to the reader, and invite them to participate in further debate on CEE media and communications research. To date, there have not been many publications dedicated to ...
Re-reading Derrida
Re-reading Derrida: Perspectives on Mourning and its Hospitalities, edited by Tony Thwaites and Judith Seaboyer, is a unique collaborative exploration of the legacies of the late philosopher, Jacques Derrida, across a wide variety of fields. Anchoring the book are two major essays on mourning by two of the best-known Derridean thinkers today, who were close friends of Derrida: J. Hillis Miller and Derek Attridge. Each of the other essays has been written to respond to these, and—in a novel move—to at least two of the other contributions. As a result, the very form of the book is a way of exploring the thematics of hospitality, and the ways in which disciplines open themselves to one anot...
The Politics of Fandom
Fandom has been celebrated both as a harmonious, tolerant space and as apolitical and detached from reality. Yet fandom is neither harmonious nor apolitical. Throughout the past century, fandom has been shaped by recurring controversies and sparked by the emergence of new circles, platforms and discourses. Since the earliest days of science-fiction fandom, fans have conceived of their communities as quasi-political bodies, and of themselves as public actors in discursive spaces. They are concerned with the organizational structures, norms, and borders of fandom as well as their own position within it all. This latter concern has moved to the forefront as fan practices and platforms have been coopted by the entertainment industry and by political actors, forcing fans to situate their fannish and political identities in relation to both sprawling transmedia franchises and right-wing groups exploiting fannish formations for political ends. Through case studies of Glee and The Hunger Games fandoms as well as events such as Gamergate, RaceFail '09 and the Hugo Awards controversies, this book explores the complexities of political fandom.
