You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book traces the history of the U Street neighborhood in Washington, D.C., from its Civil War–era origins to its recent gentrification. Home throughout the years to important scholars, entertainers, and political figures, as well as to historically prominent African American institutions, Washington’s U Street neighborhood is a critical zone of contact between black and white America. Howard University and the Howard Theater are both located there; Duke Ellington grew up in the neighborhood; and diplomat Ralph Bunche, Supreme Court Justice Thurgood Marshall, and medical researcher Charles Drew were all members of the community. This robustly diverse neighborhood included residents of...
When Rayford W. Logan’s astute history of Howard University appeared in 1969, Logan was in a unique position to analyze one of the nation’s most prominent African American colleges. He had recently completed nearly thirty years at Howard as a history professor, living and teaching through almost a third of the school’s first century. Drawing from his own knowledge and university documents, Logan traced Howard’s chronology from 1866, when it was conceived as a theological seminary for African American ministers, to the increasingly successful, and in Logan’s words, cosmopolitan, institution of the 1960s. Logan detailed university milestones, including Howard’s founding by an act of Congress in 1867 and the election of Dr. Mordecai W. Johnson, the university’s first black president, in 1926, as well as the accomplishments of Howard graduates. More than thirty years after its first publication, Logan’s engaging account is essential for a thorough understanding of Howard, and its place in the legacy of historically black universities.
Did digital media really "cause" the Arab Spring, or is it an important factor of the story behind what might become democracy's fourth wave? An unlikely network of citizens used digital media to start a cascade of social protest that ultimately toppled four of the world's most entrenched dictators. Howard and Hussain find that the complex causal recipe includes several economic, political and cultural factors, but that digital media is consistently one of the most important sufficient and necessary conditions for explaining both the fragility of regimes and the success of social movements. This book looks at not only the unexpected evolution of events during the Arab Spring, but the deeper history of creative digital activism throughout the region.
El creixement dels moviments sociopolítics entre els anys seixanta i noranta als Estats Units i a Sud-àfrica va establir els ferms fonaments sobre els quals, amb una força i ímpetu sense precedents, es va forjar el teatre negre d'aquests anys. Forma i contingut van sorgir a l'una del compromís polític i artístic adoptat per aquests artistes contra l'imperialisme, el colonialisme i el racisme occidentals. Per primera vegada en la història, el teatre negre dels Estats Units i de Sud-àfrica analitzava i valorava les arrels negres per a poder il·luminar la recerca d'un futur de llibertat. No obstant això, el context sociopolític i les circumstàncies específiques de cada país han generat igualment els trets distintius del teatre afronord-americà i negre sud-africà (incloses les diferències de gènere) manifestos en ramificacions artístiques totalment heterogènies i úniques.
None