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Back in print for the first time in years, the Watts Pocket Handbook renews its commitment to share industry knowledge by providing technical and legal information across a comprehensive spread of property and construction topics. Compiled by the Watts Technical Director, the Handbook provides specialist information and guidance on a vast selection of construction related subjects including: Contracts and procurement Insurance Materials and defects Environmental and sustainability issues Watts Pocket Handbook remains the must-have reference book for professionals and students engaged in construction, building surveying, service engineering, property development and much more.
Self Help.
Making local energy futures, from marine energy to hydrogen fuel, at the edge of the world. The islands of Orkney, off the northern coast of Scotland, are closer to the Arctic Circle than to London. Surrounded by fierce seas and shrouded by clouds and mist, the islands seem to mark the edge of the known world. And yet they are a center for energy technology innovation, from marine energy to hydrogen fuel networks, attracting the interest of venture capitalists and local communities. In this book, Laura Watts tells a story of making energy futures at the edge of the world. Orkney, Watts tells us, has been making technology for six thousand years, from arrowheads and stone circles to wave and ...
Bella always needs to win—no matter what. At summer Fun Club, she gets mad whenever someone beats her in a game. When she struggles during a tent-making competition, Bella would rather give up than keep trying. Can she learn to do her best and feel good about it, even if she’s not the winner? With the help of the club leader, Bella discovers that she can make a tent, even if it’s not the best tent—and that being a good sport feels much better than being a sore loser.
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalitie...
The compassionate and compelling true story of a young nurse who left behind an idyllic rural life in post-war Britain to work in the world's most turbulent war zones. Anne Watts grew up in a small village in north Wales in the 1940s. Defying her Merchant Navy father's dated views, she trained as a nurse and midwife, joined the Save the Children Fund, and was posted to Vietnam in 1967. Once there, Anne was faced with a vision of hell that her training at Manchester's Royal Infirmary had barely prepared her for. Thrown in at the deep end, she witnessed the random cruelty of warfare, nursing injured and orphaned children and caring for wounded and dying servicemen. She went on to take her skil...
Written in Roussillon during World War Two, while Samuel Beckett was hiding from the Gestapo, Watt was first published in 1953. Beckett acknowledged that this comic novel unlike any other 'has its place in the series' - those masterpieces running from Murphy to the Trilogy, Waiting for Godot and beyond. It shares their sense of a world in crisis, their profound awareness of the paradoxes of being, and their distrust of the rational universe. Watt tells the tale of Mr Knott's servant and his attempts to get to know his master. Watt's mistake is to derive the essence of his master from the accidentals of his being, and his painstakingly logical attempts to 'know' ultimately consign him to the asylum. Itself a critique of error, Watt has previously appeared in editions that are littered with mistakes, both major and minor. The new Faber edition offers for the first time a corrected text based on a scholarly appraisal of the manuscripts and textual history.
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language. First published in 1904, this is Chesterton's analysis of English painter and sculptor George Frederick Watts. One of his first books, it explores, through Chesterton's own artistic eye, the meanings and the beauty of the work of one of the most honored artists of his day, and remains an incisive masterpiece of critical thought. This replica edition includes all the original illustrations, including the beautiful sepia tones of Watts' paintings.
Mo Foster tells the many varied and humorous stories - often first hand, from the musicians themselves - of the emergence of the great British rock guitarists. Contributors include Jeff Beck, Phil Collins, Gerry Rafferty, Cher and Hank Marvin.'