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Westlake
In an all-too-brief life and literary career, Wayne Kaumualii Westlake (1947–1984) produced a substantial body of poetry. He broke new ground as a poet, translated Taoist classical literature and Japanese haiku, interwove perspectives from his Hawaiian heritage into his writing and art, and published his work locally, regionally, and internationally. Westlake was born on Maui and raised on the island of O‘ahu, where he attended Punahou School, and later the University of Oregon. He earned his B.A. in Chinese studies at the University of Hawai‘i. At the time of his tragic death in 1984, Westlake was at the height of his poetic career. Unfortunately, the only collection of his poems available at the time was a 32-page, limited edition chapbook independently published by a small press. The present volume, long overdue, includes nearly two hundred of Westlake’s poems—most unavailable to the public or never before published.
Westlake
In an all-too-brief life and literary career, Wayne Kaumualii Westlake produced a substantial body of poetry. He broke new ground as a poet, translated Taoist classical literature and Japanese haiku, interwove perspectives from his Hawaiian heritage into his writing and art, and published his work locally, regionally, and internationally. The present volume, long overdue, includes nearly two hundred of Westlake's poems--most unavailable to the public or never before published.
Westlake
In an all-too-brief life and literary career, Wayne Kaumualii Westlake (1947–1984) produced a substantial body of poetry. He broke new ground as a poet, translated Taoist classical literature and Japanese haiku, interwove perspectives from his Hawaiian heritage into his writing and art, and published his work locally, regionally, and internationally. Westlake was born on Maui and raised on the island of O‘ahu, where he attended Punahou School, and later the University of Oregon. He earned his B.A. in Chinese studies at the University of Hawai‘i. At the time of his tragic death in 1984, Westlake was at the height of his poetic career. Unfortunately, the only collection of his poems available at the time was a 32-page, limited edition chapbook independently published by a small press. The present volume, long overdue, includes nearly two hundred of Westlake’s poems—most unavailable to the public or never before published.
Mauri Ola
Mauri Ola: Contemporary Polynesian Poems in English is a follow-up volume to the highly acclaimed Whetu Moana, the first anthology of Polynesian poems in English edited by Polynesians. The new book includes poetry written over the last 25 years by more than 80 writers from Aotearoa, Hawai'i, Tonga, Samoa, the Cook Islands, Niue, Tokelau, Tahiti and Rotuma - some living in these islands and some dispersed around the globe. Together with works by established and celebrated poets, the editors have introduced the fresh voices of a younger generation. The anthology includes selections from poets including Alistair Te Ariki Campbell, Sia Figiel, J. C. Sturm, Konai Helu Thaman, Haunani-Kay Trask, H...
Indigenous Pacific Islander Eco-Literatures
In this anthology of contemporary eco-literature, the editors have gathered an ensemble of a hundred emerging, mid-career, and established Indigenous writers from Polynesia, Melanesia, Micronesia, and the global Pacific diaspora. This book itself is an ecological form with rhizomatic roots and blossoming branches. Within these pages, the reader will encounter a wild garden of genres, including poetry, chant, short fiction, novel excerpts, creative nonfiction, visual texts, and even a dramatic play—all written in multilingual offerings of English, Pacific languages, pidgin, and translation. Seven main themes emerge: “Creation Stories and Genealogies,” “Ocean and Waterscapes,” “Lan...
The Salt-wind
This postcolonial collection of poetry is the first by Native Hawaiian poet, Brandy Nalani McDougall. Of the collection, Samoan novelist Albert Wendt writes: "Once in a while a collection of poetry comes along and grabs your eyes, heart, and na'au and makes you see and feel more deeply than you've done in a long, long time. For me, Brandy Nalani McDougall's collection is one of those. And I keep rereading it. Her poems have a unique and hugely inviting surface simplicity and elegance that immediately hook you into them, into their profound and complex depths of imagery, lyricism, political and historical savvy, feeling, thought and vision. These are woven together with unusual wisdom, perception, control of language, and intense aloha for her people and islands. You have to read this collection. It will lift you and make you feel you are more."
Chinese Creative Writing Studies
This book introduces Chinese creative writing to the English-speaking world, considering various aspects of literary and creative theories in research in Chinese writing. It covers recent trends such as cross-media practices, pedagogy in creative writing in China, Taiwan and Hong Kong, specifically, and looks at how Chinese classical culture brings new interpretations to creative writing within a global context. Consisting of 14 chapters by established scholars and experts, writers, and poets working in various genres within the Chinese writing tradition, the book presents data accrued from personal reflections, classroom teaching, video games, museum studies, radio dramas, TV series, and cy...
Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects
A rich and compelling introduction to the history of Asian Pacific American communities as told through 101 objects, from a fortune cookie baking mold to the debut Ms. Marvel comic featuring Kamala Khan Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects invites readers to experience both well-known and untold stories through influential, controversial, and meaningful objects. Thematic chapters explore complex history and shared experiences: navigation, intersections, labor, innovation, belonging, tragedy, resistance and solidarity, community, service, memory, and joy. The book features vibrant full-color illustrations of objects that embody and engage with Asian Paci...
Finding Meaning
Winner of the Native American Literature Symposium's Beatrice Medicine Award for Published Monograph The first extensive study of contemporary Hawaiian literature, Finding Meaning examines kaona, the practice of hiding and finding meaning, for its profound connectivity. Through kaona, author Brandy Nalani McDougall affirms the tremendous power of Indigenous stories and genealogies to give lasting meaning to decolonization movements.
Uluhaimalama
"Uluhaimalama" is the first collection of poetry by Mahealani Perez-Wendt, an accomplished Hawaiian poet, writer, and community activist. This is the inaugural publication of the Wayne Kaumuali'i Westlake monograph series, promoting Native Hawaiian writers.
