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Brings the paranormal beings and places of the Iroquois folklore tradition to life through historic and contemporary accounts of otherworldly encounters • Recounts stories of shapeshifting witches, giant flying heads, enchanted masks, ethereal lights, talking animals, Little People, spirit-choirs, potent curses, and haunted hills, roads, and battlefields • Includes accounts of miraculous healings by shamans and medicine people such as Mad Bear and Ted Williams • Shows how these traditions can help one see the richness of the world and help those who have lost the chants of their own ancestors With a rich history reaching back more than one thousand years, the six nations of the Iroquoi...
A look at neglected aspects of the early career of one of the premier poets of the German language.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
When a 10-foot tall purported "petrified man" is unearthed from a backyard in upstate New York in 1869, the discovery immediately turns into a spectacle of epic proportions. News of the giant spreads like wildfire, and well over a thousand people come to view him in the first five days alone!Everyone has their own idea of his true origin: Is he an ancient member of the local Onandaga Indian tribe? Is he a biblical giant like Goliath? Soon the interests of world-renowned scientists and people from around the globe are piqued as arguments flare over who he is, where he came from, and if he is real--or just a hoax. In a riveting account of how the Cardiff Giant mystery snowballed into one of America’s biggest money-making spectacles--and scams--Jim Murphy masterfully explores the power of 19th-century media and the unexpected ripple effect that a single corrupt mastermind can produce when given a stage.
Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film. Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world.
Includes field staffs of Foreign Service, U.S. missions to international organizations, Agency for International Development, ACTION, U.S. Information Agency, Peace Corps, Foreign Agricultural Service, and Department of Army, Navy and Air Force
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Eduard von Keyserlings 'Schlossgeschichten' dokumentieren das sensualistische Wahrnehmungsvermögen des Autors und seine Sensibilität für die menschliche Psyche. Keyserlings Schlossmenschen werden auf ihren abgelegenen Schlössern mit Langeweile und Isolationsgefühlen konfrontiert. Die Untersuchung stellt die Frage, ob und inwieweit die unterschiedlichen Genussstrategien die Einsamkeitsgefühle der Adligen reduzieren und auf sie vitalisierend wirken, oder ob sie nur die Antriebs- und Beschäftigungslosigkeit der Schlossbewohner kompensieren sollen. In der Untersuchung werden bei der Analyse der Genussformen neben Keyserlings Erzählwerk auch Essays, Kritiken und Rezensionen des Autors sowie sozialgeschichtliche, philosophische und kulturwissenschaftliche Abhandlungen mit einbezogen.
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
This book examines Werfel's concerns regarding the status and possibilities of individual identity. It follows Werfel's changing views on identity as he explored different community identifications.