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Weegee
'Weegee' is published to coincide with an exhibition of the photographer's work at the Getty Museum in Los Angeles from September 20, 2005 to January 22, 2006.
Weegee
Weegee not only captured the gritty underbelly of New York City in his explosive photographs, but he lived it as well. This long out-of-print autobiography, brought back with complete and unabridged text by Devault-Graves Digital Editions, was written toward the end of Weegee's life before he was the photographic legend he is today. Here he tells the story of how an impoverished Jewish immigrant named Arthur Fellig from Zlothev, Austria, came to grips with one of the toughest cities in the world and made it his own. In wisecracking prose that is a match for his unblinking ferocity behind the camera, Weegee recounts his days of taking tintypes of kids on ponies and how this knowledge of the s...
Flash
Winner of the National Book Critics Circle Award The first comprehensive biography of Weegee—photographer, “psychic,” ultimate New Yorker—from Christopher Bonanos, author of Instant: The Story of Polaroid. Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee,” claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and plac...
The Weegee Guide to New York
During his storied career as the quintessential New York photojournalist, Weegee explored the city's least glamorous pockets, depicting brutal crimes, horrific accidents, tenement dwellers, street vendors, and mischievous kids. And although his perspective was often dark and cynical, he was also tremendously sentimental about his subjects' hard lives. This unique guide offers a series of excursions through Weegee's stamping grounds, from the Bowery to Midtown, the West Side to the East, and with a little Brooklyn thrown in. Divided into eleven neighbourhood sections, it includes contemporary and period maps to aid the intrepid explorer or casual rambler as they retrace Weegee's steps from mu...
Naked City
When Naked City was published in 1945, it was an instant success and inspired a Hollywood film. Naked City is Weegee's unflinching look at his beloved New York City through photos by turns ironic, hilarious, seamy and brutal. Photographing the city at all hours and in all its guises, Weegee created a thrilling, lonely and candid portrait, and a style that was to inspire younger photographers, not least Diane Arbus. Steidl's facsimile of Naked City carefully recreates the original book, bringing to life an object that is in form and spirit as close as possible to the first edition, and of which Weegee would be proud.
Weegee
A graphic biography of an American street photographer infamous for adjusting the position of dead bodies at crime scenes to make his photographs more artful.
Weegee and Naked City
“While Berenice Abbott, Margaret Bourke-White, and Alfred Steiglitz photographed New York's sleek skyscrapers, Arthur Fellig (called Weegee) documented the seamy underside of depression-era New York. In this extraordinary book, Richard Meyer and Anthony Lee tell a gripping tale, filled with historical detail about Weegee's transformation from freelance newspaper photographer to fine artist with the publication of his enormously successful book Naked City, in 1945.”—Cécile Whiting, author of Pop L.A.: Art and the City in the 1960s “Lee and Meyer return Weegee to his 'working world' by exploring the multiple contexts of his production-the Photo League, the tabloids, the exhibition gal...
Weegee's People
In 1946, a year after the runaway success of Naked City, Weegee published his affectionate but sharp appraisal of the citizens of New York.Weegee's People presents a true cross-section of New Yorkers, from the photographer's cherished street people to the rich dames who frequented the Metropolitan Opera. This facsimile is a painstaking recreation of the original book, and follows the success of other facsimiles printed by Steidl including Moï Ver's Paris (2003) and Jakob Tuggener's Fabrik (2003).
Weegee
Drawn from the International Center of Photography’s archives, this book highlights the incomparable style and fascinating career of Weegee, one of New York City’s quintessential press photographers. For a decade between 1935 and 1946, Weegee made a name for himself snapping crime scenes, victims, and perpetrators. Armed with a Speed Graphic camera and a police-band radio, Weegee often beat the cops to the story, determined to sell his pictures to the sensation-hungry tabloids. His stark black-and-white photos were often lurid and unsettling. Yet, as this beautifully produced volume shows, they were also brimming with humanity. Designed as a series of "dossiers," this book follows Weegee’s transformation from a freelancer to a photo-detective. It explores his relationship with the tabloid press and gangster culture and reveals his intimate knowledge of New York’s darkest corners. It provides readers with a rich historical experience—a New York City "noir" shot through the lens of one of its most iconoclastic figures.
Weegee
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