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This is the first book to critically examine the professional work of the pioneer of open-air museums in Britain and the self-proclaimed founder of the Welsh Folk Museum at St. Fagans, and a major figure in Welsh cultural life. This book places Peate’s life in the context of Welsh history and assesses his impact on helping to create a particular view of Welsh culture, placing great emphasis on the importance of the Welsh-speaking rural craftsman and ignoring the contribution of industry to Welsh life. It makes extensive use of quotation, synopsis and translation, for the first time giving non-Welsh speakers access to his Welsh-language publications about museums and folk life.
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Iorwerth C. Peate's outstanding achievement was to create a National Folk Museum at St. Fagans. It was Peate who dreamt of an open-air museum in Wales on the Scandinavian model where the visitor could view the way of life of past ages. It was he, too, more than anyone else, who strove to see the dream realized and to establish the study of folk life as a respected academic discipline in Britain. The story of these accomplishments, and of the opposition Peate encountered within the National Museum of Wales, for example is lucidly outlined by Catrin Stevens. She also presents a clear and useful appraisal of Peate's academic writing in the field of folk studies. "
Explores the different ways in which Wales and Welshness have been represented in the national museums of Wales. This book examines how branches of the National Museums and Galleries of Wales are enlisted to narrate certain national stories as opposed to others, and how this correlates with changing perceptions of Welsh identities.
Trefor M. Owen’s seminal work educates, enlightens and entertains with a far-reaching yet accessible text, which paints a colourful and comprehensive portrait of a nation’s rich folk culture. The Customs and Traditions of Wales is an illuminating and engrossing insight into a subject that continues to unfold and develop in contemporary life. Despite an increasingly globalised society that has transformed local communities, folk customs are still practised and enjoyed the world over as people combine modern-day and historical rituals and embrace opportunities to learn about their past, and Owen’s influential study has maintained its relevance as customs change and evolve.
James Dickson Innes (1887-1914) was a Welsh painter who is best known for his Post-Impressionist landscape paintings of Wales. His burgeoning artistic career was tragically cut short by his death aged 27 from TB, but his output of paintings was nevertheless prolific. This is the first book to provide an overview of his art and life and is published to coincide with an exhibition at the National Museum Wales marking the centenary of his death.Innes was born in South Wales and studied at the Slade School of Fine Art, London, from 1905 to 1908, where he met fellow artist Derwent Lees. In 1907 he began a friendship with Augustus John, and with John and Lees Innes wandered over a remote and unfas...
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