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Women Art Critics in Nineteenth-Century France
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise t...
Translation and the Arts in Modern France
Translation and the Arts in Modern France sits at the intersection of transposition, translation, and ekphrasis, finding resonances in these areas across periods, places, and forms. Within these contributions, questions of colonization, subjugation, migration, and exile connect Benin to Brittany, and political philosophy to the sentimental novel and to film. Focusing on cultural production from 1830 to the present and privileging French culture, the contributors explore interactions with other cultures, countries, and continents, often explicitly equating intercultural permeability with representational exchange. In doing so, the book exposes the extent to which moving between media and codes—the very process of translation and transposition—is a defining aspect of creativity across time, space, and disciplines.
Le moi et l'espace
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Humanities Index
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Forma venus, arte minerva
Résolument cosmopolite malgré son attachement pour Rouen et la Normandie, lisant le latin, l'anglais et l’italien, et les traduisant, auteure d’une œuvre imposante, notamment parce qu’elle appartient aux plus grands genres, tenant enfin pendant des décennies un salon où se croisent diplomates et savants, Anne-Marie Du Bocage appartient sans conteste à l’élite intellectuelle du XVIIIe siècle. La postérité l’a pourtant oubliée. Ce volume entend redonner quelque consistance au personnage et à l’œuvre d’Anne-Marie Du Bocage. Il propose, après des analyses de ses principaux écrits et de ses positions philosophiques et religieuses, plusieurs dizaines de lettres et des documents iconographiques. Il ne constitue qu’un premier temps dans la redécouverte d’une femme et d’une œuvre qui méritent l’attention des spécialistes de littérature et d’histoire culturelle du XVIIIe siècle et, plus largement, de tous ceux et celles qui s’intéressent à la production des ouvrages de femmes, à leur carrière et à leur réception.
I fratelli Goncourt e l'Italia
Introduzione Tavola delle abbreviazioni e sigle bibliografiche 1. SCRITTURA ODEPORICA E VIAGGIO NELLE FORME: L’OFFICINA GONCOURTIANA 1.1. Viaggio e scrittura nell’Ottocento francese: l’Italia e il ‘caso’ Goncourt (p. 27) - 1.2. Il viaggio in Francia: dal taccuino alla lettera (p. 34) 1.3. Scoperta dell’Altro e conoscenza di sé: Algeri e l’esotismo (p. 45) - 1.4. Dal taccuino e dalla lettera al testo: i Goncourt scrittori (p. 51) 1.5. All’insegna della fantaisie: il debutto letterario (p. 58) - 1.6. Il viaggio peninsulare e la sua restituzione primaria: le lettere dall’Italia (p. 64) 1.7. Scrittura odeporica e creatività artistica: il racconto fantaisiste e il libro distru...
Salary Book
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