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Telling Lies
After a brutal attack on her sister, Maggie MacGowen searches L.A. for the gunman When Maggie MacGowen was a girl, her sister Emily lived the life of a leftist radical on the run from the FBI. Twenty-two years after the FBI finally caught her, Emily lives in Los Angeles, a doctor at a free clinic that tends to the city’s down and out. When one of her old radical buddies comes out of hiding and surrenders to the police, their long-ago crimes become front-page news. Emily calls Maggie, now a documentary filmmaker, and asks her to come visit. By the time Maggie arrives in Los Angeles, Emily is nearly dead. The bullet, delivered point-blank in broad daylight, sent Emily into a coma. It seems a random act of violence, but Maggie digs deeper. She finds dark secrets in her sister’s past, and a conspiracy that won’t end until all those who ask questions are silenced.
A Hard Light
Maggie tries to unravel an art theft that began during the Vietnam War During the chaotic last act of the Vietnam War, three people tried to preserve the art from the French colonial museum in Da Nang. As Viet Cong forces overwhelmed the South Vietnamese, Bao Ngo, Khanh Nguyen, and Minh Tam sped south, in trucks laden with all the treasures of eighteen hundred years of Vietnamese history. Although one truck disappeared, those three made it to Saigon just as the Americans pulled out. Minh and Khanh escaped on the last helicopter, Minh waving goodbye to Bao, the cousin he expected he would never see again. Decades later, Khanh is at home in Los Angeles when Bao reappears, gun in hand. He ransacks her house and disappears. Maggie MacGowen, documentary filmmaker, looks into the incident, interviewing Khanh and Minh, who disappear just after she turns off her camera. She presses on, determined to understand this decades-old mystery, no matter how dangerous the past might be.
No Harm
After her mother’s savage murder, Kate Teague becomes the killer’s next target Ash falls on the cemetery like grey snow, blown in from a wildfire that burns a mile off. A crowd has turned out to watch Kate bury her mother, not because they loved her—nobody loved her—but out of curiosity. This town has never seen a murder so brutal. Suspecting a mugging gone wrong, the police comb the area for drug addicts. But then they find the rich old lady’s purse, full of cash and credit cards. The purse surfaced on the beach of Kate’s family home three days after the attack, which means the murderer is nearby—and heiress Kate appears to be the next target. After the first attempt on her life fails, Kate starts her own investigation. Everyone in town had a reason to hate her mother, but why would anybody try to kill Kate Teague?
Midnight Baby
Maggie investigates the murder of a strange young streetwalker In Los Angeles making a documentary about upscale day cares, Maggie MacGowen visits MacArthur Park to get contrasting footage of the pubescent prostitutes that populate its dark corners. There she meets Pisces, a fourteen-year-old hooker with manners that don’t match her profession. As they bond over a plate of pastrami, Maggie talks her into spending the night in a shelter. But Pisces comes with baggage: a nine-year-old hoodlum named Sly. Maggie takes them both to a convent, where they are fed, bathed, and tucked into bed, just like normal children. The next day, Pisces is dead, her throat slashed by an unknown hand. The Los Angeles Police Department has little time for murdered hookers, so it falls to Maggie to find the killer. The keys to the case are the young girl’s manners, and the fact that she died with her virginity intact.
Half a Mind
A severed head washes ashore, drawing Kate into a bizarre murder case It’s been months since the pistol cracked Roger Tejeda’s skull. Though the police officer’s memory gaps are beginning to fill in, any strain could endanger his recovery, and his girlfriend—the super-rich, super-intelligent Kate Teague—has been slowly nursing him back to health. He’s still a long way from returning to work, but jogging down the beach one afternoon, he sees a crowd of cops, and can’t resist saying hello for old time’s sake. They’re homicide cops, just like Tejeda, and though he can’t remember their names they all know him. A head has washed ashore, with semen in its mouth and an armed-forces haircut. It was found just down the shore from Kate’s mansion, meaning that she and Tejeda are involved—whether his doctors like it or not.
A Bouquet of Rue
Filmmaker Maggie MacGowen moves to France ready to settle into a new job with a French television network and a new life with diplomat Jean-Paul Bernard. Maggie soon discovers that under the peaceful veneer of the leafy Paris suburb where she now lives, there are deep and troubling fissures. At first she is an object of curiosity, the woman taking the place of Jean-Paul’s beloved, deceased wife. But as she is drawn into the search for a girl named Ophelia, and tries to stop the persecution of a Muslim immigrant boy, she is viewed by the town an interloper, the outsider. As Maggie tells an interviewer, sometimes an outsider can hold up a mirror that reveals what we have become blind to. But are her new neighbors willing to look into that mirror? She will learn that the human spirit has tremendous resilience—until it snaps. “Hornsby’s winning 12th Maggie MacGowen mystery... is indeed filled with rue, along with love, hate, and loss. A solid plot, plenty of intrigue, and the always entertaining Maggie will please Hornsby fans and newcomers alike.” —Publishers Weekly
Bad Intent
Maggie’s life is rocked by a mistake from her boyfriend’s past After making progressive documentary films for decades, Maggie MacGowen did not expect to fall in love with a Los Angeles cop. But Mike Trent, whom she met while investigating her sister’s shooting, is no Los Angeles Police Department stereotype. Tall, with salt-and-pepper hair and a craggy Bogart face, he inspires her to uproot herself and her daughter from San Francisco and move down to L.A. It takes only a week for their new life to collapse. Fifteen years ago, Mike had just made detective. His first homicide investigation was high profile—an off-duty cop shot during a hold-up—and there was pressure to get results. Though he claims the conviction was clean, police methods of 1979 do not look good in the light of post-Rodney King L.A. As the district attorney comes down on him, Maggie must choose between defending her lover and confronting the fact that he may not be as kind as she thought.
Disturbing the Dark
Maggie MacGowen, an investigative filmmaker, is in Normandy with a film crew to document the agricultural four seasons on her ancestral family farm. An accidentally excavated skull causes a social media sensation, dredging up psychic scars left by the wartime German Occupation. In their youth, Grand-mere and other villagers had cut the throats of an entire brutal Nazi platoon. Now the grim discovery prompts tourists, the soldiers’ descendants, the mass media, and vulturelike war-memorabilia dealers to flock to the formerly quiet farm. Then a young woman is murdered....
77th Street Requiem
Maggie looks into the decades-old murder of a controversial cop A long time ago, Roy Frady was a perfect cop. Now he’s perfect fodder for one of Maggie MacGowen’s documentaries. Frady worked narcotics in the Seventy-seventh Street Division as part of a unit nicknamed the Four Horsemen. A merry band of iron-fisted brothers, they kept their district clean of drugs until a litany of brutality charges caused their downfall. Not long after, Roy Frady was found with a 9-mm slug in his skull. The case remained unsolved for two decades. One of the Four Horsemen was Mike Trent, who went on to become a homicide detective and the love of Maggie’s life. Through the years, Frady’s file never left his desk, and as he approaches retirement he vows to close the case. Maggie plans a documentary about Mike’s investigation, unaware that she and her camera will find things in his past that are too ugly to be known.
The Paramour's Daughter
Just a few hours before she is murdered, a foreign stranger claims she is a close relative of investigative filmmaker Maggie MacGowen. It is a truism that “it’s a wise child who knows its father.” The same can apply to a mother, since we must believe and take for granted as true what our family tells us about our own early years. But what if you “remember” places you’ve never been, speak a language you’ve never been taught? What if your nearest and dearest are all involved in a conspiracy to cover up your true origins? In The Paramour’s Daughter, Maggie MacGowen is thrown into this parallel universe, trying to remember “the ghosts of comfort, fear, or love” from her earli...
