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Treasures Into Tractors
  • Language: en
  • Pages: 452

Treasures Into Tractors

Sixteen scholars from Russia, Vienna, and the United States explore the fate of Russian art collections and libraries following the Russian Revolution in 1917, the institutions and individuals responsible for their sale, and the prominent collectors, libraries, and museums that acquired them. Unlike the widely publicized controversy surrounding Soviet-Nazi war loot and its restitution, the sales of the interwar period are not well known outside a small scholarly community. This volume reveals the extent of the Soviet government's voluntary ?realization? of Russia's cultural patrimony between 1918 and 1938 and its consequences for both the international art market and the perception of Russia...

Treasures Into Tractors
  • Language: en
  • Pages: 489

Treasures Into Tractors

  • Categories: Art
  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

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Beyond Vision
  • Language: en

Beyond Vision

  • Categories: Art

Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in En...

Russian Icons at Hillwood
  • Language: en

Russian Icons at Hillwood

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

Hillwood was the Washington residence of Marjorie Merriweather Post (1887-1973), cereal heiress, collector and philanthropist. Mrs. Post collected art throughout her life, emphasizing only the finest French and Russian objects. Today, the collection of fine and decorative arts includes many exemplary pieces by some of Europe's most renowned artists, cabinetmakers and goldsmiths. Of particular note are dinner plates commissioned by Catherine the Great, Easter eggs by Carl Faberge and chalices and icons that evoke the splendor of imperial Russia, as well as 18th century French tapestries, furniture and Sevres porcelain. The quality and quantity of the Russian art at Hillwood is unparalleled outside Russia.

The Birth of the Soviet Secret Police
  • Language: en
  • Pages: 466

The Birth of the Soviet Secret Police

This book is new in every aspect and not only because neither the official history nor an unofficial history of the KGB, and its many predecessors and successors, exists in any language. In this volume, the author deals with the origins of the KGB from the Tsarist Okhrana (the first Russians secret political police) to the OGPU, Joint State Political Directorate, one of the KGB predecessors between 1923 and 1934. Based on documents from the Russian archives, the author clearly demonstrates that the Cheka and GPU/OPGU were initially created to defend the revolution and not for espionage. The Okhrana operated in both the Russian Empire and abroad against the revolutionaries and most of its ope...

The Uncommon Vision of Sergei Konenkov, 1874-1971
  • Language: en
  • Pages: 250

The Uncommon Vision of Sergei Konenkov, 1874-1971

Sergei Konenkov was one of this century's most distinguished Russian artists. A celebrated sculptor, he was a leading figure of the young Soviet art establishment in the early 1920s. After spending over twenty years in the United States, he returned to the Soviet Union in 1945 to become a respected member of the Soviet art world. The mentor to an entire generation of Soviet sculptors, he was renowned for his personal charisma and artistic versatility. This collection of essays, interviews, and personal reminiscences is the first appraisal of his work and life published outside of Russia. The contributors view Konenkov's work within a variety of cultural, artistic, and philosophical contexts....

A Public Empire
  • Language: en
  • Pages: 448

A Public Empire

"Property rights" and "Russia" do not usually belong in the same sentence. Rather, our general image of the nation is of insecurity of private ownership and defenselessness in the face of the state. Many scholars have attributed Russia's long-term development problems to a failure to advance property rights for the modern age and blamed Russian intellectuals for their indifference to the issues of ownership. A Public Empire refutes this widely shared conventional wisdom and analyzes the emergence of Russian property regimes from the time of Catherine the Great through World War I and the revolutions of 1917. Most importantly, A Public Empire shows the emergence of the new practices of owning...

Alter Icons
  • Language: en
  • Pages: 304

Alter Icons

  • Categories: Art

"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.

Kingdom of Beauty
  • Language: en
  • Pages: 319

Kingdom of Beauty

A Study of the Weatherhead East Asian Institute, Columbia University Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organiz...

Modernism and the Spiritual in Russian Art
  • Language: en
  • Pages: 243

Modernism and the Spiritual in Russian Art

  • Categories: Art

In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of ess...