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Modern Means
Modern means is The Museum of Modern Art's first collaborative project wth the Mori Art Museum. Modern means is meant to provoke innovative ideas and a fresh understanding of the history of art in the modern period.
Pop Impressions Europe/USA
Essay by Wendy Weitman.
Kiki Smith
This work is published to accompany an exhibition at MoMA QNS devoted to an under-acknowledged but crucial area of Kiki Smith's art, December 5th, 2003 - March 8th, 2004.
American Art of the 1960s
Essays discuss Ad Reinhardt, Jasper Johns, J.M.W. Turner, Jim Dine, minimalism, Robert Venturi, and Elia Kazan's "Wild River."
Eye on Europe
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
Fairy Tale Review
The Blue Issue is the inaugural issue of Fairy Tale Review. Swiss scholar Max Luthi wrote about fairy tales as literary examples of abstract art. The strange quality that Luthi identifies as “firm form” is sparse, flat and depthless as it is wild, weightless and bright. The writing selected for the debut issue of Fairy Tale Review reflects this quality in a multitude of ways. The work in here is not beholden to any particular school of writing. Rather, each contribution uniquely dovetails with the aesthetics and motifs of fairy tales.
Against the Grain
Against the Grain ISBN 0-87070-090-1 / 978-0-87070-090-3 Hardcover, 8.5 x 9.75 in. / 128 pgs / 86 color. / U.S. $40.00 CDN $48.00 August / Art
Kiki Smith and Paper
None
Committed to Memory
How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this ar...
Abstraction in Post-War British Literature 1945-1980
Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature.
