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An Amorous History of the Silver Screen
Illustrating the cultural significance of film and its power as a vehicle for social change, this book reveals the intricacies of the cultural movement and explores its connections to other art forms such as photography, drama, and literature.
Chinese Medicine and Healing
In covering the subject of Chinese medicine, this book addresses topics such as oracle bones, the treatment of women, fertility and childbirth, nutrition, acupuncture, and Qi as well as examining Chinese medicine as practiced globally in places such as Africa, Australia, Vietnam, Korea, and the United States.
Elusive Capital
Offering a fresh analysis of late imperial China, this cutting-edge book revisits the roles played by merchant networks, economic institutions, and business practices in the divergence between Europe and China during the trade revolution.
Wang Anshi and Song Poetic Culture
A poetic culture consists of a body of shared values and conventions that shape the composition and interpretation of poetry in a given historical period. This book on Wang Anshi (1021–1086) and Song poetic culture—the first of its kind in any Western language—brings into focus a cluster of issues that are central to the understanding of both the poet and his cultural milieu. These issues include the motivations and consequences of poetic contrarianism and the pursuit of novelty, the relationship between anthology compilation and canon formation, the entanglement of poetry with partisan politics, Buddhist orientations in poetic language, and the development of the notion of late style. Though diverse in nature and scope, the issues all bear the stamp of the period as well as Wang Anshi’s distinct personality. Conceived of largely as a series of case studies, the book’s individual chapters may be read independently of each other, but together they form a varied, if only partial, mosaic of Wang Anshi’s work and its critical reception in the larger context of Song poetic culture.
Remote Homeland, Recovered Borderland
Remote Homeland, Recovered Borderland addresses a long-ignored issue in the existing studies of community construction: How does the past failure of an ethnic people to maintain sovereignty over their homeland influence their contemporary reconfigurations of ethnic and national identities? To answer this question, Shao Dan focuses on the Manzus, the second largest non-Han group in contemporary China, whose cultural and historical ancestors, the Manchus, ruled China from 1644 to 1912. Based on deep and rigorous empirical research, Shao analyzes the major forces responsible for the transformation of Manchu identity from the ruling group of the Qing empire to the minority of minorities in China...
A Companion to Chinese Cinema
A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications
Nationalism and Ethnoregional Identities in China
Western political scientists have tended to neglect the ethnic dimension in China, and have overemphasized the development from large empire to unified nation. This book brings together a number of case studies on the ethnic and regional dimensions of Chinese politics and society.
Letters Without Capitals: Text and Practice in Kim Mun (Yao) Culture
In Letters without Capitals: Texts and Practices in Kim Mun (Yao) Culture, Jacob Cawthorne demonstrates how the Chinese script is not only central to Kim Mun (Yao) cultural and religious practices, but also that it is an active vehicle for Kim Mun self-expression and community representation.
Ethnic Identity in Tang China
Ethnic Identity in Tang China is the first work in any language to explore comprehensively the construction of ethnicity during the dynasty that reigned over China for roughly three centuries, from 618 to 907. Often viewed as one of the most cosmopolitan regimes in China's past, the Tang had roots in Inner Asia, and its rulers continued to have complex relationships with a population that included Turks, Tibetans, Japanese, Koreans, Southeast Asians, Persians, and Arabs. Marc S. Abramson's rich portrait of this complex, multiethnic empire draws on political writings, religious texts, and other cultural artifacts, as well as comparative examples from other empires and frontiers. Abramson argu...
Encyclopedia of Prehistory
The Encyclopedia of Prehistory represents also defined bya somewhatdifferent set of an attempt to provide basic information sociocultural characteristics than are eth on all archaeologically known cultures, nological cultures. Major traditions are covering the entire globe and the entire defined based on common subsistence prehistory ofhumankind. It is designed as practices, sociopolitical organization, and a tool to assist in doing comparative materialindustries,butlanguage,ideology, research on the peoples of the past. Most and kinship ties play little or no part in of the entries are written by the world's their definition because they are virtually foremost experts on the particular area...
