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The coolest kind of disability. That was how you had to consider magic. At least, it made it bearable in this time and age. All the devices and such were just not for the average wizard, as it were. It was even worse if you, up until the beginning of the summer, had planned on working with computers. It was almost as bad as to move to Alpena, whose biggest claim to fame was the snow that didnt arrive in time for Die Hard 2. What could possibly happen in a sleepy town like that? Life is complicated enough with a twin, divorced parents, and once again, a new city. The best thing to do is to be stealthy. Avoid attention with friends who have the same agenda. If everything just would be simple, ...
This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency’, a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves
If pictures can be sexist, can analyzing sound reveal sexism, too? Where is the language to discuss sexism in music? LJ Müller tackles these important questions in their 2018 German book titled Sound und Sexismus, which was awarded the IASPM 2019 book prize. Analyzing the voices of Kurt Cobain, Kate Bush, Björk and others, Müller demonstrates how gender is performed vocally and interacts with gendered aspects of embodiment and affect. The book is written from a strongly positioned and personal feminist perspective and is appealing to readers from various backgrounds - singers, producers, music lovers, as well as academics and anyone with an interest in feminist takes on pop culture.
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