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Dramatic changes during the Reformation era in Northern Europe, such as witchcraft and new global discoveries, are examined through visual culture, both prints and paintings.
Inhalt: Anna Esposito: Der r�mische Karneval in Mittelalter und Renaissance Theo Fransen: Die Entwicklung des Karnevals in den Niederlanden und Flandern. Eine historisch-soziologische Betrachtung in drei Teilen: Geschichte, Gegenwart und Zukunftsaussichten Herbert Schwedt: Der Prinz, der Rhein, der Karneval. Wege der buergerlichen Fastnacht Hildegard Frie�-Reimann: "Johann Maria Kertell (1771-1839) - Gruender der Mainzer Ranzengarde und seine Zeit" (Ausstellung) Herbert Bonewitz: "Kappen, Kult und Kokolores". Die Mainzer Fastnacht zwischen Anspruch und Widerspruch - Reflexionen eines Zeitzeugen Werner Mezger: "Rueckw�rts in die Zukunft". Metamorphosen der schw�bisch-alemannischen Fastnacht Birgit Weichmann: Fliegende Tuerken, gek�pfte Stiere und die Kraft des Herkules. Zur Geschichte des venezianischen Karnevals.
Working across established disciplines & methodological divides, these essays investigate the ways in which texts, artists, & performers in all kinds of media have utilized sound materials in order to enforce or complicate dominant notions of German cultural & national identity.
The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities...
This book examines ideas of spiritual nourishment as maintained chiefly by Patristic theologians –those who lived in Byzantium. It shows how a particular type of Byzantine frescoes and icons illustrated the views of Patristic thinkers on the connections between the heavenly and the earthly worlds. The author explores the occurrence, and geographical distribution, of this new type of iconography that manifested itself in representations concerned with the human body, and argues that these were a reaction to docetist ideas. The volume also investigates the diffusion of saints’ cults and demonstrates that this took place on a North-South axis as their veneration began in Byzantium and gradually reached the northern part of Europe, and eventually the entirety of Christendom.