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Amedeo Modigliani
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Henri Rousseau
"Rousseau's series of jungle paintings was and still continues to be the subject of controversy. This book answers many of the questions surrounding Rousseau's importance as an artist and examines his paintings in a wider art-historical context. As a self-taught artist who started painting at the age of 40 and worked in an unorthodox, naive style, Rousseau had to struggle to overcome the derision of his contemporaries. That Rousseau succeeded in silencing his critics, winning wide admiration, including that of Picasso, the Surrealists and Wasily Kandinsky, owes much to the jungle paintings."--Amazon.
The Chatter of the Visible
An examination of the aesthetics and "chattering" effects of Weimar-era photo montage
Give Me the Now
Rudolf Zwirner, “the man who invented the art market,” as coined in Der Spiegel, reflects on more than sixty years in the art business in his authoritative autobiography. “Americans now see Germany as a natural breeding ground for mighty gallerists and collectors, but Rudolf Zwirner’s fascinating new memoir walks us through the decades it took to rebuild an art world shattered by World War II. In this dealer’s charming telling, however, the work involved sounds more like play than labor.” —Blake Gopnik, author of Warhol An art dealer of the ages, Rudolf Zwirner, father of the esteemed gallerist David Zwirner, reached many milestones in his career. From cofounding Art Cologne, t...
Art of the 20th century
The 20th century was a revolutionary period in art history. In the span of a few short years, Modernism exploded into being, disrupting centuries of classical figurative tradition to create something entirely new. This astoundingly thorough survey of art's modern era showcases all of the key artistic movements of the 20th century, from Fauvism to Pop Art, featuring illustrative examples of some of the most renowned works of the era along with illuminating companion essays by expert critics and art historians. A vivid window into the collective psyche of the modern world's great artists, Art of the 20th Century is a must-have for any fan of contemporary art.
Modernism and the Occult
This study of modernism's high imperial, occult-exotic affiliations presents many well-known figures from the period 1880-1960 in a new light. Modernism and the Occult traces the history of modernist engagement with 'irregular', heterodox and imported knowledge.
Art and architecture of the early 20th century
The beginning of the twentieth century was a period marked by intense aesthetic and ideological research. Caught up in the chaos of historical world conflicts, artists went beyond the simple role of witnesses to become true players in the unstable atmosphere. Well-aware of their influence, painters, sculptors and architects, each with their own media, attempted to inform the public about contemporary issues or solve problems caused by cultures advancing at a rapid assembly-line speed. Picasso’s masterpiece Guernica remains to this day the ultimate symbol of pacifistic revolts. Lavishly illustrated, this book will help the reader understand the period when artists adjusted to the accelerating pace of their world by creating works of timeless modernity.
The Feminine Ideal
Why, at a time when women's liberation was gaining force and momentum, did the corset become more cinched and restricting than at any time during the entire preceding century? Why was bra burning a political statement for the feminists of the 1970s? How far is the harnessed and restricted female form an outward symbol of Victorian and middle-class ideas of discipline and self-control? In what ways are women forced to conform to a "feminine ideal"? In The Feminine Ideal, Marianne Thesander examines the significance of the female body, beauty and culture. She shows how the female body is constantly being changed, and by various sometimes punishing means made to fit in with current feminine physical ideals. The use of corsets, bras, make-up, cosmetics and body decoration either emphasizes or plays down specific aspects of the female form. Marianne Thesander considers: sin and virtue; the forbidden, the concealed, the alluring body; woman as object, fetish and erotic sign. With extensive use of illustrative material, she examines the fashion history of underwear from the eighteenth century to the present day, exploring the significance of changing 'models' of the feminine."
The New Modernist Novel
Considers relationships between modernist literature and literary criticism and argues that new modernist fiction can bring with it new modes of reading Considers how close reading may change as the study of modernism changes to include recently recovered fiction Asks what reading meant for selected critics of modernist literature around 1930 and around 1960 Offers readings of three new modernist novels: Djuna Barnes’s Nightwood, John Rodker’s Adolphe 1920 and Mina Loy’s Insel Considers key cultural moments of the novels' composition and reception Extends the questions about reading raised by these novels to Samuel Beckett’s Comment c’est / How It Is and Jean Rhys’s short stories...
