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Where Heaven and Earth Meet
Art has always been important for religion or spirituality. Secular art displayed in museums can also be spiritual, and it is this art that is the subject of this book. Many of the works of art produced by Wassily Kandinsky, Mark Rothko, Andy Warhol, and Anselm Kiefer are spiritual in nature. These works reveal their own spirituality, which often has no connection to official religions. Wessel Stoker demonstrates that these artists communicate religious insights through images and shows how they depict the relationship between heaven and earth, between this world and a transcendent reality, thus clearly drawing the contours of the spirituality these works evince.
Looking Beyond?
Religion is undergoing a transformation in current Western society. In addition to organized religions, there is a notable movement towards spirituality that is not associated with any institutions but in which experiences and notions of transcendence are still important. Transcendence can be described as God, the absolute, Mystery, the Other, the other as alterity, depending on one’s worldview. In this book, these shifts in the views of transcendence in various areas of culture such as philosophy, theology, art, and politics are explored on the basis of a fourfold heuristic model (proposed by Wessel Stoker). In conversation with this model, various authors, established scholars in their fields, explain the meaning and role, or the critique, of transcendence in the thought of contemporary thinkers, fields of discourse, or cultural domains. Looking Beyond? will stimulate further research on the theme of transcendence in contemporary culture, but can also serve as a textbook for courses in various disciplines, ranging from philosophy to theology, cultural studies, literature, art, and politics.
Religion and the Good Life
Studies in Theology and Religion,10 In this volume, fourteen philosophers of religion reflect on religious views of the good life. Some authors focus on positive religion and its specific religious representations of the good life, while others abstract from these and focus on philosophical religion and its conceptual articulations of the good life. The tension between positive religion and philosophical religion, between representation and concept, is itself also analyzed. This volume is a result of the co-operation of the philosophers of religion who are senior members of the Netherlands School for Advanced Studies in Theology and Religion NOSTER. Religion and the Good Life Religion and th...
Imaging God Anew
It is surprising how religious symbolism in modern art continues to speak to a broad public. Art and religion are intrinsically connected because both deal with the fundamental issues of life. Examining art in churches and museums with this in mind, Wessel Stoker looks at how modern and contemporary Western visual artists present these fundamental issues. In this work, he explores the new visual language that artists like Vincent van Gogh, Alexej von Jawlensky, Graham Sutherland, Marlene Dumas, and others use to image God or Christ anew. In contrast to what has long been the dominant view of art in the West - art for art's sake - their art fulfills functions in social life. Their art engages in dialogue, becomes a form of protest, or provides spiritual deepening. How is that to be evaluated theologically?
Is Faith Rational?
Is faith rational? Some respond by providing proofs for God's existence. Others hold that no reasons for the Christian faith can be given. This book discusses different ways of accounting for faith, i.e. classical apologetics, the transcendental view that faith is part of human nature, and the view that argues for the rationality of faith on the basis of direct perceptions of God that appear to be objective. The author subsequently proposes a rational accounting for the Christian faith in our secularized and religiously pluralistic society. His starting point is the lasting religious experience of believers in everyday life. He also discusses the question of how this accounting for faith can...
Crossroad Discourses between Christianity and Culture
Christianity exists in relation to and interacts with its cultural environment in a number of ways. In this volume authors from a wide variety of backgrounds explore various facets of the relationship and interaction of Christianity with its cultural environment: politics, society, esthetics, religion and spirituality, and with itself. Divided into three main sections, Crossroad Discourses between Christianity and Culture looks at the interaction of Christianity with culture in the first section, with other religions and spiritualities in the second, and finally with itself in the third. The contributions engage in a critical examination of not only the culture in which Christianity finds itself but also in a critical examination of Christianity itself and its interaction with that culture. The editors hope that teachers, students, and readers in general will profit greatly from the critical articles contained in this book.
Transforming Encounters and Critical Reflection: African Thought, Critical Theory, and Liberation Theology in Dialogue
This book is a printed edition of the Special Issue "Transforming Encounters and Critical Reflection: African Thought, Critical Theory, and Liberation Theology in Dialogue" that was published in Religions
Redeeming Transcendence in the Arts
How can the arts witness to the transcendence of the Christian God? It is widely believed that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and mystery, of something “beyond” this world. Many argue that this opens up fruitful opportunities for conversation with those who may have no use for conventional forms of Christianity. Jeremy Begbie—a leading voice on theology and the arts—in this book employs a biblical, trinitarian imagination to show how Christian involvement in the arts can (and should) be shaped by a vision of God’s transcendence revealed in the person of Jesus Christ. After critiquing some current writing on the subject, he goes on to offer rich resources to help readers engage constructively with the contemporary cultural moment even as they bear witness to the otherness and uncontainability of the triune God of love.
Is Nature Ever Evil?
Can nature be evil, or ugly, or wrong? Can we apply moral value to nature? From a compellingly original premise, under the auspices of major thinkers including Mary Midgley, Philip Hefner, Arnold Benz and Keith Ward, Is Nature Ever Evil? examines the value-structure of our cosmos and of the science that seeks to describe it. Science, says editor Willem B. Drees, claims to leave moral questions to aesthetic and religious theory. But the supposed neutrality of the scientific view masks a host of moral assumptions. How does an ethically transparent science arrive at concepts of a 'hostile' universe or a 'selfish' gene? How do botanists, zoologists, cosmologists and geologists respond to the bea...
