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The First World War Galleries
Revisits World War I, drawing on the archives of the Imperial War Museum, including oral histories, photographs, works of art, personal correspondence and diaries, and artifacts from machine guns to military vehicles.
The Greatest Raid
'I loved this book, as I love any good adventure story sublimely told . . . a gloriously exciting high, followed by a crushing realisation of war's enormous waste' Gerard deGroot, The Times 'Absorbing . . . The extraordinary bravery of the participants shines out from the narrative' Patrick Bishop, Sunday Telegraph _________________________________ FROM THE AUTHOR OF BRIDGE OF SPIES: A dramatic and colourful new account of the most daring British commando raid of World War Two In the darkest months of the Second World War, Churchill approved what seemed to many like a suicide mission. Under orders to attack the St Nazaire U-boat base on the Atlantic seaboard, British commandos undertook "the...
Desert Insurgency
This unique archaeological account from Nicholas Saunders tells the story of the origins of modern guerrilla warfare during the Arab Revolt of 1916-18. The discovery of an unknown conflict landscape reveals the dramatic exploits of T. E. Lawrence, Emir Feisal, Bedouin warriors, and their attacks on the Hejaz Railway during the First World War.
Haig's Enemy
The war on the Western Front as seen through the eyes of one of Germany's leading First World War generals, Crown Prince Rupprecht of Bavaria. A fascinating and highly revealing view from the 'other side of the wire', which casts the story of the Western Front in an entirely new light.
The Fine Arts of the English School
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Thinking About Exhibitions
An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays.
Asia in Flanders Fields
The First World War brought peoples from five continents to support the British and French Allies on the Western Front. Many were from colonial territories in the British and French empires, and the largest contingents were Indians and Chinese - some 140,000. It is a story of the encounter with the European 'other', including the civilian European local populations, often marred by racism, discrimination and zenophobia both inside and outside the military command, but also lightened by moving and enduring 'human' social relationships. The vital contribution to the Alles and the huge sacrifices involved were scarcely recognised at the Paris Peace Conference in 1918 or the post-war victory celebrations and this led to resentment - see huge media coverage in 2021. The effect of the European 'other' experience enhanced Asian political awareness and self-confidence, and stimulated anti-imperialism and proto-nationalism. This is a vivid and original contribution to imperial decline from the First World War. and the originality of the work is enhanced by rare sources culled from original documents and 'local' European fieldwork - in French, German and Flemish.
The Empire on the Western Front
When Great Britain and its dominions declared war on Germany in August 1914, they were faced with the formidable challenge of transforming masses of untrained citizen-soldiers at home and abroad into competent, coordinated fighting divisions. The Empire on the Western Front focuses on the development of two units, Britain’s 62nd (2nd West Riding) Division and the Canadian 4th Division, to show how the British Expeditionary Force rose to this challenge. Examining their respective geneses and following them through to the end of the war, Geoffrey Jackson explores many aspects of the division-building process of these two units – from leadership and training to discipline and morale – and how (or whether) the process differed in Britain and Canada. The Empire on the Western Front examines army formation and operations at the divisional level and ultimately calls into question existing accounts that emphasize the differences between the imperial and dominion armies.
