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Time
Time contemporary art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, deja vu and seriality, idleness and unrealized potential, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out of synch - all of which go against sequential time and index slips in chronological experience. While theorists have proposed radical perspectives such as the 'anachronistic' or 'heterochronic' reading of history, artists have opened up the field of time to the extent that they very notion of the contemporary is brought into question. - Back cover
Adventures of the Black Square
Exploring how the universal visual language of geometric abstraction was influenced by different societies, this volume also demonstrates how the movement's revolutionary aesthetic continues to impact culture around the globe. It traces a century of abstract art from 1915 to the present day, celebrating the accomplishments of both men and women and includes sculpture, film, photography and painting. Organised around four distinct themes - communication, architectonics, utopia and everyday life - the book presents a chronological survey from Russia to Europe, the Middle East, Southeast Asia, Central America, Africa, South America, and the US. Each of the 100 works is featured in double-page spreads with brief artist biographies. Essays by Tanya Barson, Briony Fer, Tom McDonough, and Joshua Jiang, contextualize the various geographic and aesthetic stages of the development of geometric abstraction.
Participation
Participation in art has become a prevalent and contested phenomenon since the 1990s. Artists have increasingly sought to create situations and events that invite spectators to become active participants, in dialogue both with their context and with each other. This reader charts a historical lineage and theoretical framework for this tendency, presented through the writings of artists, curators and philosophers from the late 1950s to the present--Publisher's description.
The Rural
An investigation through texts, interviews, and documentation of the complex relationship between the urban, the rural, and contemporary cultural production. What, and where, is “the Rural”? From the rocks that break a farmer's plough on a field in Japan to digital infrastructures that organize geographically dispersed interests and ambitions, vast parts of our lives are still connected and dependent on resources, production, and infrastructures located within rural geographies, and the rural remains a shared cultural space. This anthology offers an urgent and diverse cross-section of rural art, thinking, and practice, with writings that consider ways in which artists respond to the soci...
Exhibition
« If the focus of modernist debates was the individual work of art, it is the exhibition that is the prime cultural carrier of contemporaneity. Set against the rise of the curator as an influential force in the contemporary art world, this volume underlines the crucial role of artists in questioning and shaping the phenomenon of the exhibition. The texts encompass exhibition design and form; exhibitions that are object-based, live or discursive; projects that no longer rely on a physical space to be visited in person; artists' responses to being curated; and their reflections on the potential of acting curatorially. »--
Radical Figures: Painting in the New Millennium
This timely publication, accompanying a brand new survey exhibition at Whitechapel Gallery, presents key works by some of the most exciting practitioners in current figurative painting.0After a long period dominated by abstraction and conceptual approaches, painting saw a revival of figuration in the 1990s by artists whose work updated portraiture and history painting but remained rooted in the conventions of realism. However a new generation, coming to prominence in the new millennium, are distinguished by a radically different approach to the figure, in which bodies are fragmented, morphed, merged and remade but never completely cohesive.0'Radical Figures' highlights the renewed interest i...
Systems
"In the late 1950s, experiments such as the cybernetic sculptures of Nicolas Schoffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan, and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasized organism over mechanism, dynamic processes of interaction among elements, and the observer's role as an inextricable part of the system. Jack Burnham's 1968 Artforum essay 'Systems Aesthetics' and his 1970 'Software' exhibition marked the high point of systems-based art until its resurgence in ...
The Cute
The Cute tracks the astonishing impact of a single aesthetic category on post-war and contemporary art, and on the vast range of cultural practices and discourses on which artists draw. From robots and cat videos to ice cream socials, The Cute explores the ramifications of an aesthetic 'of' or 'about' minorness - or what is perceived to be diminutive, subordinate, and above all, unthreatening - on the shifting forms and contents of art today. This anthology is the first of its kind to show how contemporary artists have worked on and transformed the cute, and in ways that not only complexify its meaning, but reshape their own artistic practices.00 Artists surveyed include Peggy Ahwesh, Cosima...
Everyday
EARLY LEARNING: FIRST WORD BOOKS. Enjoy reading first words to your baby, with beautiful illustrations of everyday objects. Your baby will love the stylish illustrations and the shiny coloured foil on every page. Black and white board books are perfect for helping your baby to identify first objects and their very first words. The eye catching foil design will ensure these books will continue to be well loved throughout their first few formative years. Age 0+
Gallery as Community
Curators, directors and programmers from UK galleries make public the current debates within institutions on community, art and education.
