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Nazifa Islam's debut poetry collection tells the story of Rosemary who wants to love and to be loved but finds it tragically impossible.
Lulu Rosetti is manipulated into visiting her toxic family, and while there she uncovers secrets.
Off Somewhere, Z.Z. Boone's debut story collection, is populated by characters who seek recognition and empowerment in a world that has suddenly become baffling. The tone of these eighteen stories ranges from a humorous account of a young student obsessed with an unobtainable fast-food worker, to a cartoonist forced to face the fact that brotherly hatred runs deeper than brotherly love, to a young woman hoping a homemade cake will keep her parents' marriage intact. The characters are, for the most part, ordinary people driven to exceptional actions.
Hank LaFarge finds himself in middle-age, having achieved at least some of what most people would consider to be the hallmarks of success but without any sense of purpose. He’s convinced that there must be some hidden meaning to life, and he has undertaken a mission to extract the secret from his elderly mother. In his quest, Hank must battle the delusions, antics, and competing agendas of a small army of psychologically challenged siblings, not to mention the world-weariness of his mother herself as she approaches her transition into the great beyond. Hank ultimately discovers the answers to his questions which are not what he expected but were staring him in the face all along.
Seth Johnson's debut story collection comprises twelve linked tales set in Kentucky against the backdrop of the disintegration of a young marriage amidst thwarted expectations and contrasted by illustrations of the unconditional love freely given by dogs. A man on the run hides out at a boarding house owned by a paraplegic woman whose uncle's dog gives birth with an ease that impresses the observers of this ordinary event. A young man confesses his extramarital affairs to his mother. A housewife attends the funeral of a young woman whom she never knew. In precise, evocative prose, The Things We Do for Women explores the perpetual desire for love and the obstacles to obtaining it.
Wade Rule reveals to his classmate Maria that he plans to run off to Vermont to escape his domineering mother. When Maria tells him she'd rather run off than live with her father, Wade makes up his mind to take Maria along. But when he shows up at school with a shotgun to fetch her, things go horribly wrong.
This interracial, intergenerational saga of love, land and loss is told from the disparate perspectives of Ruth Thatcher, who is Black, and Jonas Thatcher, who is White, and spans nearly a century. The story begins in 1917 when Ruth and Jonas are farm children and ends in 2005 as their descendants struggle to unravel and understand the legacies of this star-crossed pair. During the course of their lifetimes, Ruth and Jonas-- and their respective families-- have evolved and ultimately have prospered, but it is left for their descendants to come to grips with the long-unacknowledged truth that the two families are actually one.
With patience, persistence and love, a man called Bird befriends Annie, an abused and difficult mare. Eventually, Annie reciprocates Bird's affection, but their relationship is sorely tested when they are separated by a catastrophic wildfire. In order to reunite, they must battle not only the forces of nature but the greed and cunning of unscrupulous men.
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Throughout the centuries philosophers and poets alike have defended an essential difference—rather than a porous transition—between the human and animal. Attempts to assign essential properties to humans (e.g., language, reason, or morality) often reflected ulterior aims to defend a privileged position for humans.. This book shifts the traditional anthropocentric focus of philosophy and literature by combining the questions “What is human?” and “What is animal?” What makes this collection unique is that it fills a lacuna in critical animal studies and the growing field of ecocriticism. It is the first collection that establishes a productive encounter between philosophical perspectives on the human–animal boundary and those that draw on fictional literature. The objective is to establish a dialogue between those disciplines with the goal of expanding the imaginative scope of human-animal relationships. The contributions thus do not only trace and deconstruct the boundaries dividing humans and nonhuman animals, they also present the reader with alternative perspectives on the porous continuum and surprising reversal of what appears as human and what as nonhuman.